| Literature DB >> 25389374 |
Tim Guilford1, Graham K Taylor1.
Abstract
Many animals, and birds in particular, are thought to use directional information from the sun in the form of a time-compensated sun compass, with predictably deviated orientation under clock shift being regarded as the litmus test of this. We suggest that this paradigm obscures a number of other ways in which solar-derived information could be important in animal orientation. We distinguish between the known use of the sun's azimuth to provide absolute geographical direction (compass mechanism) and its possible use to detect changes in heading (heading indicator mechanism). Just as in an aircraft, these two kinds of information may be provided by separate mechanisms and used for different functions, for example for navigation versus steering. We also argue that although a solar compass must be time-referenced to account for the sun's apparent diurnal movement, this need not entail full time compensation. This is because animals might also use time-dependent solar information in an associatively acquired, and hence time-limited, way. Furthermore, we show that a solar heading indicator, when used on a sufficiently short timescale, need not require time compensation at all. Finally, we suggest that solar-derived cues, such as shadows, could also be involved in navigation in ways that depend explicitly upon position, and are therefore not strictly compass-related. This could include giving directionality to landmarks, or acting as time-dependent landmarks involved in place recognition. We conclude that clock shift experiments alone are neither necessary nor sufficient to identify the occurrence of all conceivable uses of solar information in animal orientation, so that a predictable response to clock shift should not be regarded as an acid test of the use of solar information in navigation.Entities:
Keywords: avian navigation; clock shift; compass orientation; heading indicator; shadows; solar cues; time-compensated sun compass
Year: 2014 PMID: 25389374 PMCID: PMC4222775 DOI: 10.1016/j.anbehav.2014.09.005
Source DB: PubMed Journal: Anim Behav ISSN: 0003-3472 Impact factor: 2.844
Figure 1Illustration of the principle of a solar heading indicator, showing the trajectories that would be followed by (a, b, c) a bird that always flew at a constant heading angle with respect to the sun, and (d, e) a bird that flew at a heading angle corrected for drift at a constant rate of π/12 radians/h. The trajectories are drawn using ephemeris data for the Royal Observatory Greenwich, at (a, d) the winter solstice, (b, e) the spring equinox and (c, f) the summer solstice. Each trajectory covers an entire 24 h period for the insight that this yields; that period during which the sun would not be visible is shown by a dashed line; the filled circles mark hourly intervals. To read the graphs, simply pick a release time (in GMT) and follow the trajectory forward in time from this point. Note that there is little curvature apparent in any of the graphs on a timescale of much less than an hour, and that an almost straight trajectory can result on a timescale of much longer than an hour if drift is corrected at a constant rate of π/12 radians/h (i.e. 15°/h). The inset to (b) shows an enlarged view of the trajectory between 1200 and 1300 hours, to provide a better indication of the extent of the deviation from straight flight in this simple case in which the bird follows an elliptical trajectory. Ephemeris data were obtained using the NASA Jet Propulsion Laboratory's HORIZONS software (Giorgini et al., 1996).
Figure 2(a) The sun itself can serve as a time-dependent landmark in conjunction with the landscape, as in this painting of an avenue of poplars at sunset by Van Gogh (Nuenen, October sunset, 1884), in which we assume that the woman is walking towards the viewer. Had the woman in the painting walked to and from work along this road, she would have known to head away from the sun at the end of the day. (b) The sun can change the appearance of landmarks in a time-dependent fashion, and can even superimpose directionality on an otherwise undirected landmark, as in this painting of a radially symmetric haystack by Monet (Giverny, grainstacks in the sunlight, morning effect, 1890). (c) A second painting by Monet, of haystacks this time in the evening, shows how visually different solar-derived cues can make the appearance of a scene (Giverny, wheatstacks end of summer, evening, 1890–1891). (d) Shadows can confer directional sense to linear features of the landscape, as in this painting of an avenue of poplars by Van Gogh (Nuenen, autumn 1884). Had her house not been visible at the end of the avenue, the woman could have found her way back home by walking the road with the shadows on her left.