Literature DB >> 24932996

Audiovisual beat induction in complex auditory rhythms: point-light figure movement as an effective visual beat.

Yi-Huang Su1.   

Abstract

This study investigated whether explicit beat induction in the auditory, visual, and audiovisual (bimodal) modalities aided the perception of weakly metrical auditory rhythms, and whether it reinforced attentional entrainment to the beat of these rhythms. The visual beat-inducer was a periodically bouncing point-light figure, which aimed to examine whether an observed rhythmic human movement could induce a beat that would influence auditory rhythm perception. In two tasks, participants listened to three repetitions of an auditory rhythm that were preceded and accompanied by (1) an auditory beat, (2) a bouncing point-light figure, (3) a combination of (1) and (2) synchronously, or (4) a combination of (1) and (2), with the figure moving in anti-phase to the auditory beat. Participants reproduced the auditory rhythm subsequently (Experiment 1), or detected a possible temporal change in the third repetition (Experiment 2). While an explicit beat did not improve rhythm reproduction, possibly due to the syncopated rhythms when a beat was imposed, bimodal beat induction yielded greater sensitivity to a temporal deviant in on-beat than in off-beat positions. Moreover, the beat phase of the figure movement determined where on-beat accents were perceived during bimodal induction. Results are discussed with regard to constrained beat induction in complex auditory rhythms, visual modulation of auditory beat perception, and possible mechanisms underlying the preferred visual beat consisting of rhythmic human motions.
Copyright © 2014 Elsevier B.V. All rights reserved.

Entities:  

Keywords:  Audiovisual rhythm; Beat induction; Biological motion; Point-light figure; Rhythm perception; Visual beat

Mesh:

Year:  2014        PMID: 24932996     DOI: 10.1016/j.actpsy.2014.05.016

Source DB:  PubMed          Journal:  Acta Psychol (Amst)        ISSN: 0001-6918


  9 in total

1.  Exposure to multisensory and visual static or moving stimuli enhances processing of nonoptimal visual rhythms.

Authors:  Ourania Tachmatzidou; Nadia Paraskevoudi; Argiro Vatakis
Journal:  Atten Percept Psychophys       Date:  2022-10-14       Impact factor: 2.157

2.  Early, but not late visual distractors affect movement synchronization to a temporal-spatial visual cue.

Authors:  Ashley J Booth; Mark T Elliott
Journal:  Front Psychol       Date:  2015-06-24

3.  Content congruency and its interplay with temporal synchrony modulate integration between rhythmic audiovisual streams.

Authors:  Yi-Huang Su
Journal:  Front Integr Neurosci       Date:  2014-12-08

4.  Visual Enhancement of Illusory Phenomenal Accents in Non-Isochronous Auditory Rhythms.

Authors:  Yi-Huang Su
Journal:  PLoS One       Date:  2016-11-23       Impact factor: 3.240

5.  Moving Stimuli Facilitate Synchronization But Not Temporal Perception.

Authors:  Susana Silva; São Luís Castro
Journal:  Front Psychol       Date:  2016-11-17

6.  Beating time: How ensemble musicians' cueing gestures communicate beat position and tempo.

Authors:  Laura Bishop; Werner Goebl
Journal:  Psychol Music       Date:  2017-04-27

7.  Timing and correction of stepping movements with a virtual reality avatar.

Authors:  Omar Khan; Imran Ahmed; Joshua Cottingham; Musa Rahhal; Theodoros N Arvanitis; Mark T Elliott
Journal:  PLoS One       Date:  2020-02-28       Impact factor: 3.240

8.  When Visual Cues Do Not Help the Beat: Evidence for a Detrimental Effect of Moving Point-Light Figures on Rhythmic Priming.

Authors:  Anna Fiveash; Birgitta Burger; Laure-Hélène Canette; Nathalie Bedoin; Barbara Tillmann
Journal:  Front Psychol       Date:  2022-02-04

9.  Look at the Beat, Feel the Meter: Top-Down Effects of Meter Induction on Auditory and Visual Modalities.

Authors:  Alexandre Celma-Miralles; Robert F de Menezes; Juan M Toro
Journal:  Front Hum Neurosci       Date:  2016-03-23       Impact factor: 3.169

  9 in total

北京卡尤迪生物科技股份有限公司 © 2022-2023.