Karen Ann Kochis-Jennings1, Eileen M Finnegan2, Henry T Hoffman3, Sanyukta Jaiswal4, Darcey Hull5. 1. Department of Communication Disorders and Sciences, California State University, Northridge, California. Electronic address: karen.kochis-jennings.32@csun.edu. 2. Department of Communication Sciences and Disorders, University of Iowa, Iowa City, Iowa; Department of Otolaryngology, University of Iowa Hospitals and Clinics, Iowa City, Iowa. 3. Department of Otolaryngology, University of Iowa Hospitals and Clinics, Iowa City, Iowa. 4. Department of Hearing, Speech and Language Sciences, Gaulladet University, Washington, District of Columbia. 5. Department of Communication Sciences and Disorders, University of Iowa, Iowa City, Iowa.
Abstract
HYPOTHESIS: Headmix and head registers use cricothyroid (CT) muscle dominant voicing, whereas chest and chestmix registers use thyroarytenoid (TA) muscle dominant voicing. STUDY DESIGN: Cross-sectional study. METHODS: CT and TA electromyographic data obtained from five untrained singers and two trained singers were analyzed to determine CT and TA muscle dominance as a function of register. Simultaneous recordings of TA and CT muscle activity and audio were obtained during production of pitch glides and a variety of midrange and upper pitches in chest, chestmix, headmix, and head registers. RESULTS: TA dominant phonation was only observed for chest productions and headmix/head register productions below 300 Hz. All phonation above 300 Hz, regardless of register, showed CT:TA muscle activity ratios that were CT dominant or close to 1, indicating nearly equal CT and TA muscle activity. This was true for all subjects on all vocal tasks. For the subjects sampled in this study, pitch level appeared to have a greater effect on TA and CT muscle dominance than vocal register. CONCLUSION: Preliminary findings regarding CT and TA dominance and register control do not support the assumption that all chest and chestmix production has greater TA muscle activity than CT muscle activity or that all headmix and head production require greater CT muscle activity than TA muscle activity. The data indicate that pitch level may play a greater role in determining TA and CT dominance than register.
HYPOTHESIS: Headmix and head registers use cricothyroid (CT) muscle dominant voicing, whereas chest and chestmix registers use thyroarytenoid (TA) muscle dominant voicing. STUDY DESIGN: Cross-sectional study. METHODS: CT and TA electromyographic data obtained from five untrained singers and two trained singers were analyzed to determine CT and TA muscle dominance as a function of register. Simultaneous recordings of TA and CT muscle activity and audio were obtained during production of pitch glides and a variety of midrange and upper pitches in chest, chestmix, headmix, and head registers. RESULTS: TA dominant phonation was only observed for chest productions and headmix/head register productions below 300 Hz. All phonation above 300 Hz, regardless of register, showed CT:TA muscle activity ratios that were CT dominant or close to 1, indicating nearly equal CT and TA muscle activity. This was true for all subjects on all vocal tasks. For the subjects sampled in this study, pitch level appeared to have a greater effect on TA and CT muscle dominance than vocal register. CONCLUSION: Preliminary findings regarding CT and TA dominance and register control do not support the assumption that all chest and chestmix production has greater TA muscle activity than CT muscle activity or that all headmix and head production require greater CT muscle activity than TA muscle activity. The data indicate that pitch level may play a greater role in determining TA and CT dominance than register.
Authors: Jarrad H Van Stan; John Whyte; Joseph R Duffy; Julie Barkmeier-Kraemer; Patricia Doyle; Shirley Gherson; Lisa Kelchner; Jason Muise; Brian Petty; Nelson Roy; Joseph Stemple; Susan Thibeault; Carol Jorgensen Tolejano Journal: Am J Speech Lang Pathol Date: 2021-08-31 Impact factor: 2.408
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