Literature DB >> 24770704

Pitch Memory in Nonmusicians and Musicians: Revealing Functional Differences Using Transcranial Direct Current Stimulation.

N K Schaal1, V Krause2, K Lange1, M J Banissy3, V J Williamson4, B Pollok2.   

Abstract

For music and language processing, memory for relative pitches is highly important. Functional imaging studies have shown activation of a complex neural system for pitch memory. One region that has been shown to be causally involved in the process for nonmusicians is the supramarginal gyrus (SMG). The present study aims at replicating this finding and at further examining the role of the SMG for pitch memory in musicians. Nonmusicians and musicians received cathodal transcranial direct current stimulation (tDCS) over the left SMG, right SMG, or sham stimulation, while completing a pitch recognition, pitch recall, and visual memory task. Cathodal tDCS over the left SMG led to a significant decrease in performance on both pitch memory tasks in nonmusicians. In musicians, cathodal stimulation over the left SMG had no effect, but stimulation over the right SMG impaired performance on the recognition task only. Furthermore, the results show a more pronounced deterioration effect for longer pitch sequences indicating that the SMG is involved in maintaining higher memory load. No stimulation effect was found in both groups on the visual control task. These findings provide evidence for a causal distinction of the left and right SMG function in musicians and nonmusicians.
© The Author 2014. Published by Oxford University Press. All rights reserved. For Permissions, please e-mail: journals.permissions@oup.com.

Entities:  

Keywords:  cathodal stimulation; expertise; functional involvement; plasticity; supramarginal gyrus

Mesh:

Year:  2014        PMID: 24770704     DOI: 10.1093/cercor/bhu075

Source DB:  PubMed          Journal:  Cereb Cortex        ISSN: 1047-3211            Impact factor:   5.357


  7 in total

1.  Noninvasive neurostimulation of left ventral motor cortex enhances sensorimotor adaptation in speech production.

Authors:  Terri L Scott; Laura Haenchen; Ayoub Daliri; Julia Chartove; Frank H Guenther; Tyler K Perrachione
Journal:  Brain Lang       Date:  2020-07-29       Impact factor: 2.381

2.  Modulating short-term auditory memory with focal transcranial direct current stimulation applied to the supramarginal gyrus.

Authors:  Karl D Lerud; Bradley W Vines; Anant B Shinde; Gottfried Schlaug
Journal:  Neuroreport       Date:  2021-05-19       Impact factor: 1.703

3.  Right parietal cortex mediates recognition memory for melodies.

Authors:  Nora K Schaal; Amir-Homayoun Javadi; Andrea R Halpern; Bettina Pollok; Michael J Banissy
Journal:  Eur J Neurosci       Date:  2015-06-08       Impact factor: 3.386

4.  Dynamic Reconfiguration of the Supplementary Motor Area Network during Imagined Music Performance.

Authors:  Shoji Tanaka; Eiji Kirino
Journal:  Front Hum Neurosci       Date:  2017-12-12       Impact factor: 3.169

5.  The Significance of the Right Dorsolateral Prefrontal Cortex for Pitch Memory in Non-musicians Depends on Baseline Pitch Memory Abilities.

Authors:  Nora K Schaal; Marina Kretschmer; Ariane Keitel; Vanessa Krause; Jasmin Pfeifer; Bettina Pollok
Journal:  Front Neurosci       Date:  2017-12-06       Impact factor: 4.677

6.  Hemispheric differences between left and right supramarginal gyrus for pitch and rhythm memory.

Authors:  Nora K Schaal; Bettina Pollok; Michael J Banissy
Journal:  Sci Rep       Date:  2017-02-15       Impact factor: 4.379

7.  Reverse Engineering Tone-Deafness: Disrupting Pitch-Matching by Creating Temporary Dysfunctions in the Auditory-Motor Network.

Authors:  Anja Hohmann; Psyche Loui; Charles H Li; Gottfried Schlaug
Journal:  Front Hum Neurosci       Date:  2018-01-30       Impact factor: 3.169

  7 in total

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