Literature DB >> 24646175

You're a good structure, Charlie Brown: the distribution of narrative categories in comic strips.

Neil Cohn1.   

Abstract

Cohn's (2013) theory of "Visual Narrative Grammar" argues that sequential images take on categorical roles in a narrative structure, which organizes them into hierarchic constituents analogous to the organization of syntactic categories in sentences. This theory proposes that narrative categories, like syntactic categories, can be identified through diagnostic tests that reveal tendencies for their distribution throughout a sequence. This paper describes four experiments testing these diagnostics to provide support for the validity of these narrative categories. In Experiment 1, participants reconstructed unordered panels of a comic strip into an order that makes sense. Experiment 2 measured viewing times to panels in sequences where the order of panels was reversed. In Experiment 3, participants again reconstructed strips but also deleted a panel from the sequence. Finally, in Experiment 4 participants identified where a panel had been deleted from a comic strip and rated that strip's coherence. Overall, categories had consistent distributional tendencies within experiments and complementary tendencies across experiments. These results point toward an interaction between categorical roles and a global narrative structure.
© 2014 Cognitive Science Society, Inc.

Entities:  

Keywords:  Comics; Discourse; Film; Narrative structure; Visual language

Mesh:

Year:  2014        PMID: 24646175      PMCID: PMC4159446          DOI: 10.1111/cogs.12116

Source DB:  PubMed          Journal:  Cogn Sci        ISSN: 0364-0213


  9 in total

Review 1.  Situation models in language comprehension and memory.

Authors:  R A Zwaan; G A Radvansky
Journal:  Psychol Bull       Date:  1998-03       Impact factor: 17.737

2.  (Pea)nuts and bolts of visual narrative: structure and meaning in sequential image comprehension.

Authors:  Neil Cohn; Martin Paczynski; Ray Jackendoff; Phillip J Holcomb; Gina R Kuperberg
Journal:  Cogn Psychol       Date:  2012-03-02       Impact factor: 3.468

3.  Starting at the end: the importance of goals in spatial language.

Authors:  Laura Lakusta; Barbara Landau
Journal:  Cognition       Date:  2004-12-22

4.  Linguistic and nonlinguistic processing of narratives in aphasia.

Authors:  W Huber; J Gleber
Journal:  Brain Lang       Date:  1982-05       Impact factor: 2.381

5.  Reading senseless sentences: brain potentials reflect semantic incongruity.

Authors:  M Kutas; S A Hillyard
Journal:  Science       Date:  1980-01-11       Impact factor: 47.728

6.  Visual narrative structure.

Authors:  Neil Cohn
Journal:  Cogn Sci       Date:  2012-11-19

7.  Prediction, events, and the advantage of agents: the processing of semantic roles in visual narrative.

Authors:  Neil Cohn; Martin Paczynski
Journal:  Cogn Psychol       Date:  2013-08-19       Impact factor: 3.468

8.  The impact of continuity editing in narrative film on event segmentation.

Authors:  Joseph P Magliano; Jeffrey M Zacks
Journal:  Cogn Sci       Date:  2011-10-04

Review 9.  Thirty years and counting: finding meaning in the N400 component of the event-related brain potential (ERP).

Authors:  Marta Kutas; Kara D Federmeier
Journal:  Annu Rev Psychol       Date:  2011       Impact factor: 24.137

  9 in total
  15 in total

1.  The notion of the motion: the neurocognition of motion lines in visual narratives.

Authors:  Neil Cohn; Stephen Maher
Journal:  Brain Res       Date:  2015-01-16       Impact factor: 3.252

2.  Drawing the line between constituent structure and coherence relations in visual narratives.

Authors:  Neil Cohn; Patrick Bender
Journal:  J Exp Psychol Learn Mem Cogn       Date:  2016-10-06       Impact factor: 3.051

3.  When a hit sounds like a kiss: An electrophysiological exploration of semantic processing in visual narrative.

Authors:  Mirella Manfredi; Neil Cohn; Marta Kutas
Journal:  Brain Lang       Date:  2017-02-24       Impact factor: 2.381

4.  Getting a cue before getting a clue: Event-related potentials to inference in visual narrative comprehension.

Authors:  Neil Cohn; Marta Kutas
Journal:  Neuropsychologia       Date:  2015-08-29       Impact factor: 3.139

5.  The grammar of visual narrative: Neural evidence for constituent structure in sequential image comprehension.

Authors:  Neil Cohn; Ray Jackendoff; Phillip J Holcomb; Gina R Kuperberg
Journal:  Neuropsychologia       Date:  2014-09-18       Impact factor: 3.139

6.  Action starring narratives and events: Structure and inference in visual narrative comprehension.

Authors:  Neil Cohn; Eva Wittenberg
Journal:  J Cogn Psychol (Hove)       Date:  2015-07-14

7.  The relative roles of visuospatial and linguistic working memory systems in generating inferences during visual narrative comprehension.

Authors:  Joseph P Magliano; Adam M Larson; Karyn Higgs; Lester C Loschky
Journal:  Mem Cognit       Date:  2016-02

8.  The evolution of pace in popular movies.

Authors:  James E Cutting
Journal:  Cogn Res Princ Implic       Date:  2016-12-19

9.  What is your neural function, visual narrative conjunction? Grammar, meaning, and fluency in sequential image processing.

Authors:  Neil Cohn; Marta Kutas
Journal:  Cogn Res Princ Implic       Date:  2017-05-24

Review 10.  The architecture of visual narrative comprehension: the interaction of narrative structure and page layout in understanding comics.

Authors:  Neil Cohn
Journal:  Front Psychol       Date:  2014-07-01
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