Literature DB >> 24606276

Auditory gist: recognition of very short sounds from timbre cues.

Clara Suied1, Trevor R Agus2, Simon J Thorpe3, Nima Mesgarani4, Daniel Pressnitzer5.   

Abstract

Sounds such as the voice or musical instruments can be recognized on the basis of timbre alone. Here, sound recognition was investigated with severely reduced timbre cues. Short snippets of naturally recorded sounds were extracted from a large corpus. Listeners were asked to report a target category (e.g., sung voices) among other sounds (e.g., musical instruments). All sound categories covered the same pitch range, so the task had to be solved on timbre cues alone. The minimum duration for which performance was above chance was found to be short, on the order of a few milliseconds, with the best performance for voice targets. Performance was independent of pitch and was maintained when stimuli contained less than a full waveform cycle. Recognition was not generally better when the sound snippets were time-aligned with the sound onset compared to when they were extracted with a random starting time. Finally, performance did not depend on feedback or training, suggesting that the cues used by listeners in the artificial gating task were similar to those relevant for longer, more familiar sounds. The results show that timbre cues for sound recognition are available at a variety of time scales, including very short ones.

Mesh:

Year:  2014        PMID: 24606276     DOI: 10.1121/1.4863659

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


  13 in total

1.  The role of tone duration in dichotic temporal order judgment II: Extending the boundaries of duration and age.

Authors:  Leah Fostick; Harvey Babkoff
Journal:  PLoS One       Date:  2022-03-30       Impact factor: 3.240

2.  Rate, not selectivity, determines neuronal population coding accuracy in auditory cortex.

Authors:  Wensheng Sun; Dennis L Barbour
Journal:  PLoS Biol       Date:  2017-11-01       Impact factor: 8.029

3.  Voice selectivity in the temporal voice area despite matched low-level acoustic cues.

Authors:  Trevor R Agus; Sébastien Paquette; Clara Suied; Daniel Pressnitzer; Pascal Belin
Journal:  Sci Rep       Date:  2017-09-14       Impact factor: 4.379

4.  Modeling Timbre Similarity of Short Music Clips.

Authors:  Kai Siedenburg; Daniel Müllensiefen
Journal:  Front Psychol       Date:  2017-04-26

5.  The time course of auditory recognition measured with rapid sequences of short natural sounds.

Authors:  Vincent Isnard; Véronique Chastres; Isabelle Viaud-Delmon; Clara Suied
Journal:  Sci Rep       Date:  2019-05-29       Impact factor: 4.379

6.  Exploring the cerebral substrate of voice perception in primate brains.

Authors:  Clémentine Bodin; Pascal Belin
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2019-11-18       Impact factor: 6.237

7.  The Timbre Perception Test (TPT): A new interactive musical assessment tool to measure timbre perception ability.

Authors:  Harin Lee; Daniel Müllensiefen
Journal:  Atten Percept Psychophys       Date:  2020-10       Impact factor: 2.199

8.  Acoustic and Categorical Dissimilarity of Musical Timbre: Evidence from Asymmetries Between Acoustic and Chimeric Sounds.

Authors:  Kai Siedenburg; Kiray Jones-Mollerup; Stephen McAdams
Journal:  Front Psychol       Date:  2016-01-05

9.  Insights on the Neuromagnetic Representation of Temporal Asymmetry in Human Auditory Cortex.

Authors:  Alejandro Tabas; Anita Siebert; Selma Supek; Daniel Pressnitzer; Emili Balaguer-Ballester; André Rupp
Journal:  PLoS One       Date:  2016-04-20       Impact factor: 3.240

10.  Auditory Sketches: Very Sparse Representations of Sounds Are Still Recognizable.

Authors:  Vincent Isnard; Marine Taffou; Isabelle Viaud-Delmon; Clara Suied
Journal:  PLoS One       Date:  2016-03-07       Impact factor: 3.240

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