Literature DB >> 24495430

The acoustic correlates of valence depend on emotion family.

Michel Belyk1, Steven Brown2.   

Abstract

The voice expresses a wide range of emotions through modulations of acoustic parameters such as frequency and amplitude. Although the acoustics of individual emotions are well understood, attempts to describe the acoustic correlates of broad emotional categories such as valence have yielded mixed results. In the present study, we analyzed the acoustics of emotional valence for different families of emotion. We divided emotional vocalizations into "motivational," "moral," and "aesthetic" families as defined by the OCC (Ortony, Clore, and Collins) model of emotion. Subjects viewed emotional scenarios and were cued to vocalize congruent exclamations in response to them, for example, "Yay!" and "Damn!". Positive valence was weakly associated with high-pitched and loud vocalizations. However, valence interacted with emotion family for both pitch and amplitude. A general acoustic code for valence does not hold across families of emotion, whereas family-specific codes provide a more accurate description of vocal emotions. These findings are consolidated into a set of "rules of expression" relating vocal dimensions to emotion dimensions.
Copyright © 2014 The Voice Foundation. Published by Mosby, Inc. All rights reserved.

Keywords:  Acoustics; Cognitive appraisal; Emotion; Pitch; Prosody; Speech; Valence; Vocalization

Mesh:

Year:  2014        PMID: 24495430     DOI: 10.1016/j.jvoice.2013.12.007

Source DB:  PubMed          Journal:  J Voice        ISSN: 0892-1997            Impact factor:   2.009


  6 in total

1.  Pitch underlies activation of the vocal system during affective vocalization.

Authors:  Michel Belyk; Steven Brown
Journal:  Soc Cogn Affect Neurosci       Date:  2015-06-15       Impact factor: 3.436

2.  Emotion appraisal dimensions inferred from vocal expressions are consistent across cultures: a comparison between Australia and India.

Authors:  Henrik Nordström; Petri Laukka; Nutankumar S Thingujam; Emery Schubert; Hillary Anger Elfenbein
Journal:  R Soc Open Sci       Date:  2017-11-15       Impact factor: 2.963

3.  The CODA Model: A Review and Skeptical Extension of the Constructionist Model of Emotional Episodes Induced by Music.

Authors:  Thomas M Lennie; Tuomas Eerola
Journal:  Front Psychol       Date:  2022-04-13

4.  Poor neuro-motor tuning of the human larynx: a comparison of sung and whistled pitch imitation.

Authors:  Michel Belyk; Joseph F Johnson; Sonja A Kotz
Journal:  R Soc Open Sci       Date:  2018-04-18       Impact factor: 2.963

5.  How does human motor cortex regulate vocal pitch in singers?

Authors:  Michel Belyk; Yune S Lee; Steven Brown
Journal:  R Soc Open Sci       Date:  2018-08-15       Impact factor: 2.963

Review 6.  Good vibrations: A review of vocal expressions of positive emotions.

Authors:  Roza G Kamiloğlu; Agneta H Fischer; Disa A Sauter
Journal:  Psychon Bull Rev       Date:  2020-04
  6 in total

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