| Literature DB >> 24432007 |
Stefan Schulreich1, Yana G Heussen2, Holger Gerhardt3, Peter N C Mohr4, Ferdinand C Binkofski5, Stefan Koelsch1, Hauke R Heekeren1.
Abstract
We often make decisions with uncertain consequences. The outcomes of the choices we make are usually not perfectly predictable but probabilistic, and the probabilities can be known or unknown. Probability judgments, i.e., the assessment of unknown probabilities, can be influenced by evoked emotional states. This suggests that also the weighting of known probabilities in decision making under risk might be influenced by incidental emotions, i.e., emotions unrelated to the judgments and decisions at issue. Probability weighting describes the transformation of probabilities into subjective decision weights for outcomes and is one of the central components of cumulative prospect theory (CPT) that determine risk attitudes. We hypothesized that music-evoked emotions would modulate risk attitudes in the gain domain and in particular probability weighting. Our experiment featured a within-subject design consisting of four conditions in separate sessions. In each condition, the 41 participants listened to a different kind of music-happy, sad, or no music, or sequences of random tones-and performed a repeated pairwise lottery choice task. We found that participants chose the riskier lotteries significantly more often in the "happy" than in the "sad" and "random tones" conditions. Via structural regressions based on CPT, we found that the observed changes in participants' choices can be attributed to changes in the elevation parameter of the probability weighting function: in the "happy" condition, participants showed significantly higher decision weights associated with the larger payoffs than in the "sad" and "random tones" conditions. Moreover, elevation correlated positively with self-reported music-evoked happiness. Thus, our experimental results provide evidence in favor of a causal effect of incidental happiness on risk attitudes that can be explained by changes in probability weighting.Entities:
Keywords: decision making; happiness; incidental emotions; music; probability weighting; prospect theory; risk; risk aversion
Year: 2014 PMID: 24432007 PMCID: PMC3882660 DOI: 10.3389/fpsyg.2013.00981
Source DB: PubMed Journal: Front Psychol ISSN: 1664-1078
Figure 1The sequence of events forming one block in the experiment. Each condition consisted of two such blocks, separated by a short break.
Set of lottery pairs.
| 1 | 5 | 10 | 0.25 | 6 | 9 | 0.10 |
| 2 | 5 | 10 | 0.25 | 6 | 9 | 0.25 |
| 3 | 3 | 15 | 0.50 | 6 | 9 | 0.25 |
| 4 | 4 | 15 | 0.50 | 6 | 9 | 0.50 |
| 5 | 3 | 15 | 0.50 | 5 | 10 | 0.90 |
| 6 | 3 | 15 | 0.50 | 6 | 10 | 0.75 |
| 7 | 2 | 20 | 0.50 | 4 | 12 | 0.75 |
| 8 | 3 | 15 | 0.50 | 7 | 9 | 0.50 |
| 9 | 4 | 15 | 0.50 | 7 | 9 | 0.75 |
| 10 | 2 | 20 | 0.75 | 5 | 10 | 0.90 |
| 11 | 2 | 20 | 0.75 | 3 | 15 | 0.25 |
| 12 | 2 | 20 | 0.75 | 4 | 15 | 0.75 |
| 13 | 7 | 12 | 0.75 | 8 | 10 | 0.50 |
| 14 | 3 | 15 | 0.50 | 7 | 12 | 0.50 |
| 15 | 3 | 15 | 0.50 | 6 | 12 | 1.00 |
| 16 | 6 | 15 | 0.75 | 7 | 9 | 0.50 |
| 17 | 7 | 15 | 0.75 | 7 | 9 | 0.10 |
| 18 | 6 | 15 | 0.75 | 8 | 8 | 0.50 |
| 19 | 6 | 15 | 0.75 | 9 | 9 | 0.50 |
| 20 | 3 | 15 | 0.50 | 8 | 10 | 0.25 |
| 21 | 3 | 14 | 0.50 | 8 | 10 | 0.10 |
| 22 | 3 | 15 | 0.50 | 6 | 9 | 0.50 |
| 23 | 3 | 15 | 0.75 | 5 | 10 | 0.10 |
| 24 | 2 | 20 | 0.50 | 5 | 10 | 0.50 |
| 25 | 3 | 20 | 0.50 | 5 | 10 | 0.25 |
| 26 | 6 | 15 | 0.75 | 6 | 10 | 0.50 |
| 27 | 6 | 14 | 0.75 | 6 | 10 | 0.50 |
| 28 | 3 | 15 | 0.50 | 8 | 8 | 0.10 |
| 29 | 3 | 15 | 0.50 | 7 | 7 | 0.25 |
| 30 | 3 | 15 | 0.50 | 6 | 15 | 0.25 |
| 31 | 3 | 14 | 0.50 | 6 | 15 | 0.10 |
| 32 | 6 | 12 | 0.50 | 7 | 9 | 0.50 |
| 33 | 6 | 12 | 0.50 | 7 | 9 | 0.25 |
| 34 | 8 | 15 | 0.75 | 6 | 10 | 0.10 |
| 35 | 8 | 15 | 0.90 | 6 | 10 | 0.90 |
| 36 | 3 | 15 | 0.50 | 7 | 9 | 0.50 |
| 37 | 4 | 12 | 0.50 | 7 | 9 | 0.10 |
| 38 | 3 | 15 | 0.25 | 11 | 11 | 0.25 |
| 39 | 3 | 15 | 0.10 | 11 | 11 | 0.50 |
| 40 | 6 | 9 | 0.25 | 8 | 10 | 0.50 |
| 41 | 6 | 9 | 0.25 | 8 | 10 | 0.90 |
| 42 | 3 | 15 | 0.25 | 4 | 12 | 0.90 |
| 43 | 3 | 15 | 0.25 | 5 | 12 | 0.10 |
| 44 | 4 | 12 | 0.50 | 6 | 9 | 0.50 |
| 45 | 5 | 12 | 0.50 | 6 | 9 | 0.25 |
| 46 | 4 | 12 | 0.10 | 11 | 11 | 0.50 |
| 47 | 4 | 12 | 0.25 | 11 | 11 | 0.75 |
| 48 | 4 | 12 | 0.50 | 7 | 12 | 0.50 |
| 49 | 4 | 12 | 0.25 | 6 | 10 | 0.90 |
| 50 | 4 | 12 | 0.25 | 6 | 11 | 0.10 |
| 51 | 3 | 15 | 0.50 | 6 | 9 | 0.25 |
| 52 | 4 | 15 | 0.50 | 6 | 9 | 0.25 |
| 53 | 3 | 15 | 0.50 | 7 | 9 | 0.50 |
| 54 | 6 | 12 | 0.50 | 6 | 9 | 0.90 |
| 55 | 6 | 12 | 0.50 | 6 | 9 | 0.75 |
| 56 | 6 | 12 | 0.75 | 6 | 9 | 0.75 |
| 57 | 2 | 20 | 0.25 | 13 | 13 | 0.50 |
| 58 | 4 | 20 | 0.25 | 13 | 13 | 0.75 |
| 59 | 3 | 15 | 0.50 | 7 | 12 | 0.90 |
| 60 | 3 | 15 | 0.50 | 7 | 13 | 0.25 |
| 61 | 4 | 12 | 0.25 | 8 | 15 | 0.75 |
| 62 | 4 | 12 | 0.25 | 8 | 16 | 0.50 |
| 63 | 2 | 20 | 0.10 | 17 | 17 | 0.50 |
| 64 | 2 | 20 | 0.10 | 16 | 16 | 1.00 |
| 65 | 2 | 20 | 0.50 | 7 | 9 | 0.50 |
| 66 | 2 | 20 | 0.50 | 7 | 9 | 0.10 |
| 67 | 4 | 12 | 0.25 | 9 | 13 | 0.50 |
| 68 | 4 | 12 | 0.25 | 9 | 13 | 0.50 |
| 69 | 4 | 12 | 0.25 | 5 | 10 | 0.25 |
| 70 | 4 | 12 | 0.25 | 5 | 10 | 0.10 |
| 71 | 2 | 20 | 0.50 | 7 | 12 | 0.50 |
| 72 | 2 | 19 | 0.50 | 6 | 9 | 0.10 |
| 73 | 2 | 20 | 0.50 | 6 | 9 | 0.50 |
| 74 | 3 | 15 | 0.10 | 13 | 13 | 0.25 |
| 75 | 3 | 15 | 0.10 | 13 | 13 | 0.50 |
| 76 | 5 | 10 | 0.25 | 7 | 9 | 0.50 |
| 77 | 5 | 10 | 0.25 | 7 | 9 | 0.10 |
| 78 | 2 | 20 | 0.50 | 3 | 15 | 0.25 |
| 79 | 2 | 20 | 0.50 | 3 | 14 | 0.25 |
| 80 | 3 | 15 | 0.50 | 4 | 12 | 0.10 |
| 81 | 3 | 15 | 0.50 | 5 | 12 | 0.50 |
| 82 | 2 | 20 | 0.50 | 4 | 12 | 0.25 |
| 83 | 2 | 20 | 0.50 | 4 | 11 | 0.10 |
| 84 | 3 | 15 | 0.75 | 4 | 15 | 0.90 |
| 85 | 3 | 15 | 0.75 | 5 | 15 | 0.50 |
| 86 | 5 | 10 | 0.10 | 9 | 13 | 0.10 |
| 87 | 5 | 10 | 0.10 | 9 | 13 | 0.25 |
| 88 | 6 | 10 | 0.10 | 9 | 13 | 0.50 |
| 89 | 6 | 11 | 0.25 | 4 | 7 | 0.50 |
| 90 | 6 | 12 | 0.75 | 4 | 7 | 0.90 |
| 91 | 6 | 11 | 0.50 | 3 | 8 | 0.90 |
| 92 | 6 | 11 | 0.75 | 3 | 8 | 0.10 |
| 93 | 6 | 8 | 0.50 | 3 | 5 | 0.50 |
| 94 | 6 | 9 | 0.75 | 4 | 9 | 0.25 |
| 95 | 5 | 9 | 0.50 | 4 | 8 | 0.50 |
| 96 | 5 | 5 | 1.00 | 3 | 5 | 0.75 |
| 97 | 5 | 7 | 0.50 | 4 | 6 | 0.50 |
| 98 | 4 | 6 | 0.25 | 3 | 5 | 0.90 |
| 99 | 5 | 8 | 0.10 | 5 | 8 | 0.75 |
| 100 | 5 | 7 | 0.50 | 4 | 6 | 0.75 |
Musical stimuli.
| Happy | Joel Francisco Perri | El Canto de Mi Antara |
| Craobh Rua | The Lucky Penny | |
| Scotch Mist | Shetland Tune | |
| Alfredo de Angelis | Pregonera | |
| Romanian Folk Dance | Batuta de la Adancata | |
| Louis Armstrong | St. Louis Blues | |
| Niccoló Paganini | Violin Concerto No. 1, 3rd movement | |
| Jonathan Richman | Egyptian Reggae | |
| Johann Joachim Quantz | Concerto for Flute and Orchestra, No. 256 in A Major – allegro Di Molto | |
| Franz Anton Hoffmeister | Concerto for viola and orchestra in D major: I. Allegro | |
| Georg Friedrich Händel | Arrival of the Queen of Sheba (Sinfonia from the opera Solomon) | |
| Michael Praetorius | Dances from Terpsichore: 6. Volte | |
| Sad | Samuel Barber | Adagio for Strings |
| Goran Bregovic and Athens Symphony Orchestra | Elo Hi (Canto Nero) | |
| Himlar Örn Hilmarsson | The Black Dog and the Scottish Play | |
| Frédéric Chopin (1837)—Alfred Eschwé and Razumovsky Sinfonia | Marche funebre from Piano Sonata No. 2 in B Flat Minor, Op. 35 | |
| The Cure | Trust | |
| The Cure | Apart |
Statements used in the emotion ratings.
| Ich bin ruhig. | I am calm. |
| Ich bin sehr neugierig. | I am very curious. |
| Ich habe alles unter Kontrolle. | I have everything under control. |
| Ich bin fröhlich. | I am happy. |
| Ich bin traurig. | I am sad. |
| Ich führe ein stressiges Leben. | I lead a stressful life. |
| Ich fühle mich wohl. | I am comfortable. |
| Ich bin entspannt. | I am relaxed. |
| Ich fühle mich sicher. | I feel safe. |
| Letzte Nacht habe ich gut geschlafen. | I slept well last night. |
Figure 2Subjective happiness ratings across the four conditions. Darker bars illustrate the values immediately after musical stimulation (“post-music”); brighter bars illustrate the values after the lottery choice blocks (“post-choice”). Error bars represent 95% confidence intervals. The scale ranged from 1 (not happy at all) to 9 (very happy). An asterisk indicates significant difference at the 5% level.
Figure 3Comparison of the frequencies with which the riskier lottery was chosen across the four conditions in the first 25 trials of a block following musical stimulation (1st half) and in the remaining 25 trials of a block (2nd half). (Please note that this chart is shown only for illustrative purposes and is not used for statistical inference, because the statistical analysis needs to account for both between-subject and within-subject variation; see the description of LPM 1 and LPM 2 in the “Materials and methods” section.)
Random-effects linear probability models for the choice of the riskier lottery across the four conditions.
| Happy music | 47.40 | 47.48 | 50.50 | −0.12 |
| No music | 46.48 | 46.43 | 49.11 | −0.11 |
| Random tones | 44.20 | 44.20 | 43.12 | +0.04 |
| Sad music | 43.72 | 43.75 | 40.27 | +0.14 |
LPM 1 included only dummy regressors to detect differences between the conditions. In addition to that, LPM 2 also modeled the temporal distance from the last musical stimulation (as the number of trials completed since the last musical stimulation). The “time trends” column thus indicates by how much (in percentage points) the relative frequency at which the riskier lottery was chosen changed on average with each additional completed trial. t-tests were used to assess whether the parameter estimates are different from 0.
Significance at p < 0.05 indicated via superscripts:
happy: significantly different from the “happy music” condition;
significantly different from the “no music” condition;
tones: significantly different from the “random tone sequences” condition;
significantly different from the “sad music” condition;
significantly different from zero (for the time trends).
To account for individual differences in participants’ risk taking, individual random effects were included for the respective reference condition.
Structural regression model: estimates of preference parameters—sensitivity and elevation of the probability weighting function in the “happy music” condition as well as changes of the parameters in the remaining conditions.
| ρ: | ||
| Average over all conditions | 0.2467 | 0.006 |
| α: | ||
| Happy music (reference condition) | 0.5476 | <0.001 ( |
| Δ No music | +0.0035 | 0.864 |
| Δ Random tones | −0.0105 | 0.603 |
| Δ Sad music | +0.0017 | 0.934 |
| Happy music (reference condition) | 1.3003 | 0.002 ( |
| Δ No music | +0.0154 | 0.392 |
| Δ Random tones | +0.0576 | 0.002 |
| Δ Sad music | +0.0769 | <0.001 |
| Average over all conditions | 0.6945 | <0.001 |
Wald tests were used to assess whether the parameter estimates are different from 0. While the benchmark for the curvature of the value function is 0 (ρ = 0 in the case of a linear value function), it is 1 for the other two parameters (α = 1 and β = 1 in the absence of probability weighting). Thus, except for α and β, each statistical test reported here was calculated under the null hypothesis (H) that the coefficient equals 0. A decrease in α indicates a decrease in the sensitivity to variation in probability; an increase in β indicates a decrease in the elevation of the probability weighting function. Individual random effects were included in α, β, ρ, and σ, but not in the between-condition changes. A logit regression model was used. Please note that our results can be compared to studies that used u(x; r) = xr by calculating r = 1 - ρ.
Figure 4Probability weighting functions in the four conditions based on the parameter estimates for the structural regression model reported in Table .
Structural regression model: estimates of preference parameters—sensitivity and elevation of the probability weighting function as functions of the between-subject and within-subject variation in self-reported happiness.
| Average over all conditions and participants | 0.3418 | <0.001 |
| Average in “no music” condition over all participants | 0.5900 | <0.001 ( |
| Deviation of participants’ average in “no music” condition from cross-subject mean (between-subject regressor) | +0.0093 | 0.683 |
| Deviation of participants’ block-specific rating from “no music” condition (within-subject regressor) | −0.0221 | 0.180 |
| Average in “no music” condition over all participants | 1.1393 | 0.198 ( |
| Deviation of participants’ average in “no music” condition from cross-subject mean (between-subject regressor) | −0.0437 | 0.143 |
| Deviation of participants’ block-specific rating from “no music” condition (within-subject regressor) | −0.0853 | 0.003 |
| Average over all conditions and participants | 1.0471 | <0.001 |
Wald tests were used to assess whether the parameter estimates are different from 0. While the benchmark for the curvature of the value function is 0 (ρ = 0 in the case of a linear value function), it is 1 for the other two parameters (α = 1 and β = 1 in the absence of probability weighting). Thus, except for α and β, each statistical test reported here was calculated under the null hypothesis (H) that the coefficient equals 0. A decrease in α indicates a decrease in the sensitivity to variation in probability; an increase in β indicates a decrease in the elevation of the probability weighting function. The standard errors—and thus the associated p-values—were adjusted for 41 clusters on the subject level. A logit regression model was used. Please note that our results can be compared to studies that used u(x; r) = xr by calculating r = 1 - ρ.