| Literature DB >> 24344816 |
Jessica Phillips-Silver1, Petri Toiviainen, Nathalie Gosselin, Isabelle Peretz.
Abstract
Pitch deafness, the most commonly known form of congenital amusia, refers to a severe deficit in musical pitch processing (i.e., melody discrimination and recognition) that can leave time processing--including rhythm, metre, and "feeling the beat"--preserved. In Experiment 1, we show that by presenting musical excerpts in nonpitched drum timbres, rather than pitched piano tones, amusics show normal metre recognition. Experiment 2 reveals that body movement influences amusics' interpretation of the beat of an ambiguous drum rhythm. Experiment 3 and a subsequent exploratory study show an ability to synchronize movement to the beat of popular dance music and potential for improvement when given a modest amount of practice. Together the present results are consistent with the idea that rhythm and beat processing are spared in pitch deafness--that is, being pitch-deaf does not mean one is beat-deaf. In the context of drum music especially, amusics can be musical.Entities:
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Year: 2013 PMID: 24344816 DOI: 10.1080/02643294.2013.863183
Source DB: PubMed Journal: Cogn Neuropsychol ISSN: 0264-3294 Impact factor: 2.468