Literature DB >> 24041325

Perception of emotion in abstract artworks: a multidisciplinary approach.

David Melcher1, Francesca Bacci.   

Abstract

There is a long-standing and fundamental debate regarding how emotion can be expressed by fine art. Some artists and theorists have claimed that certain features of paintings, such as color, line, form, and composition, can consistently express an "objective" emotion, while others have argued that emotion perception is subjective and depends more on expertise of the observer. Here, we discuss two studies in which we have found evidence for consistency in observer ratings of emotion for abstract artworks. We have developed a stimulus set of abstract art images to test emotional priming, both between different painting images and between paintings and faces. The ratings were also used in a computational vision analysis of the visual features underlying emotion expression. Overall, these findings suggest that there is a strong bottom-up and objective aspect to perception of emotion in abstract artworks that may tap into basic visual mechanisms.
© 2013 Elsevier B.V. All rights reserved.

Entities:  

Keywords:  abstract art; art and neuroscience; computer vision; emotion; neuroaesthetics; visual art; visual perception

Mesh:

Year:  2013        PMID: 24041325     DOI: 10.1016/B978-0-444-63287-6.00010-5

Source DB:  PubMed          Journal:  Prog Brain Res        ISSN: 0079-6123            Impact factor:   2.453


  8 in total

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5.  Complementarity As Generative Principle: A Thought Pattern for Aesthetic Appreciations and Cognitive Appraisals in General.

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7.  The Impact of Visual Art and High Affective Arousal on Heuristic Decision-Making in Consumers.

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  8 in total

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