Literature DB >> 23875573

Pitch memory and exposure effects.

Moshe Shay Ben-Haim1, Zohar Eitan2, Eran Chajut3.   

Abstract

Recent studies indicate that the ability to represent absolute pitch values in long-term memory, long believed to be the possession of a small minority of trained musicians endowed with "absolute pitch," is in fact shared to some extent by a considerable proportion of the population. The current study examined whether this newly discovered ability affects aspects of music and auditory cognition, particularly pitch learning and evaluation. Our starting points are two well-established premises: (1) frequency of occurrence has an influence on the way we process stimuli; (2) in Western music, some pitches and musical keys are much more frequent than others. Based on these premises, we hypothesize that if absolute pitch values are indeed represented in long-term memory, pitch frequency of occurrence in music would significantly affect cognitive processes, in particular pitch learning and evaluation. Two experiments were designed to test this hypothesis in participants with no absolute pitch, most with little or no musical training. Experiment 1 demonstrated a faster response and a learning advantage for frequent pitches over infrequent pitches in an identification task. In Experiment 2, participants evaluated infrequent pitches as more pleasing than frequent pitches when presented in isolation. These results suggest that absolute pitch representation in memory may play a substantial, hitherto unacknowledged role in auditory (and specifically musical) cognition. PsycINFO Database Record (c) 2014 APA, all rights reserved.

Entities:  

Mesh:

Year:  2013        PMID: 23875573     DOI: 10.1037/a0033583

Source DB:  PubMed          Journal:  J Exp Psychol Hum Percept Perform        ISSN: 0096-1523            Impact factor:   3.332


  4 in total

1.  Telling in-tune from out-of-tune: widespread evidence for implicit absolute intonation.

Authors:  Stephen C Van Hedger; Shannon L M Heald; Alex Huang; Brooke Rutstein; Howard C Nusbaum
Journal:  Psychon Bull Rev       Date:  2017-04

Review 2.  On the Perceptual Subprocess of Absolute Pitch.

Authors:  Seung-Goo Kim; Thomas R Knösche
Journal:  Front Neurosci       Date:  2017-10-06       Impact factor: 4.677

3.  Memory for musical tones: the impact of tonality and the creation of false memories.

Authors:  Dominique T Vuvan; Olivia M Podolak; Mark A Schmuckler
Journal:  Front Psychol       Date:  2014-06-12

4.  Auditory category knowledge in experts and novices.

Authors:  Shannon L M Heald; Stephen C Van Hedger; Howard C Nusbaum
Journal:  Front Neurosci       Date:  2014-08-22       Impact factor: 4.677

  4 in total

北京卡尤迪生物科技股份有限公司 © 2022-2023.