| Literature DB >> 23863756 |
Edward C Warburton1, Margaret Wilson, Molly Lynch, Shannon Cuykendall.
Abstract
In a number of domains, humans adopt a strategy of systematically reducing and minimizing a codified system of movement. One particularly interesting case is "marking" in dance, wherein the dancer performs an attenuated version of the choreography during rehearsal. This is ostensibly to save the dancer's physical energy, but a number of considerations suggest that it may serve a cognitive function as well. In this study, we tested this embodied-cognitive-load hypothesis by manipulating whether dancers rehearsed by marking or by dancing "full out" and found that performance was superior in the dancers who had marked. This finding indicates that marking confers cognitive benefits during the rehearsal process, and it raises questions regarding the cognitive functions of other movement-reduction systems, such as whispering, gesturing, and subvocalizing. In addition, it has implications for a variety of topics in cognitive science, including embodied cognition and the nascent fields of dance and music cognition.Entities:
Keywords: dance; human body; memory; motor processes; performance
Mesh:
Year: 2013 PMID: 23863756 DOI: 10.1177/0956797613478824
Source DB: PubMed Journal: Psychol Sci ISSN: 0956-7976