| Literature DB >> 23761745 |
Johanna Sänger1, Viktor Müller, Ulman Lindenberger.
Abstract
To investigate whether directionality in hyperbrain networks reflects different roles during interpersonal action coordination (IAC), we recorded EEG data from pairs of guitarists playing together as musical leaders versus followers. We used an asymmetric index of in-phase synchronization to analyze hyperbrain networks of directed functional connectivity in the alpha and beta frequency ranges for time segments around coordinated play onsets. After exploring the small-world characteristics of the networks at different thresholds, we examined the directed connection strengths within and between brains. As predicted, we found evidence suggesting that the musical roles of leader and follower are associated with different patterns of directed between-brain couplings. The functional significance of these differences for IAC requires further study.Entities:
Keywords: EEG hyperscanning; action coordination; graph analysis; interbrain connectivity; music; oscillatory synchronization; social cognition
Year: 2013 PMID: 23761745 PMCID: PMC3671173 DOI: 10.3389/fnhum.2013.00234
Source DB: PubMed Journal: Front Hum Neurosci ISSN: 1662-5161 Impact factor: 3.169
Figure 1Music sheet of the adapted version of the Rondo in D Major by C.G. Scheidler; segments of 500 ms before and after the two marked play onsets were analyzed.
Figure 2Example of a hyperbrain network before the first play onset at 20 Hz. (A) without threshold, (B) with an absolute threshold of 0.1102, (C) with an additional proportional threshold of 20% applied separately for within- and between brain connections. Within-brain coherence of the leader is captured in the upper left, within-brain coherence of the follower in the lower right. Between-brain coherence is shown in the upper right and lower left of the matrix. The auto-coherence on the main diagonal is set to zero. For each interaction partner, 21 electrodes are arranged in the following order: Fp1, Fpz, Fp2, F7, F3, Fz, F4, F8, T7, C3, Cz, C4, T8, P7, P3, Pz, P4, P8, O1, Oz, O2 from top (leader) to bottom (follower) and left (leader) to right (follower).
Main effect of SITE for .
| Parietal | 1.94 | 0.06 | Frontal | 2.85 | 0.07 | 8.19 | <0.001 |
| Central | 2.01 | 0.06 | 7.08 | <0.001 |
Interaction of BAND and SITE for .
| 8 Hz | Frontal | 2.82 | 0.07 | Central | 1.93 | 0.06 | 9.03 | <0.001 |
| Parietal | 1.79 | 0.06 | 8.58 | <0.001 | ||||
| 12 Hz | Frontal | 2.88 | 0.08 | Central | 2.10 | 0.07 | 6.78 | <0.001 |
| Parietal | 2.09 | 0.07 | 5.43 | <0.001 | ||||
| Central | 8 Hz | 1.93 | 0.06 | 12 Hz | 2.10 | 0.07 | −3.58 | 0.001 |
| Parietal | 8 Hz | 1.79 | 0.06 | 12 Hz | 1.79 | 0.06 | −7.39 | <0.001 |
| 8 Hz | Frontal | 2.27 | 0.07 | Central | 1.36 | 0.06 | 9.23 | <0.001 |
| Parietal | 1.23 | 0.06 | 8.64 | <0.001 | ||||
| 12 Hz | Frontal | 2.26 | 0.08 | Central | 1.45 | 0.07 | 7.69 | <0.001 |
| Parietal | 1.36 | 0.07 | 6.76 | <0.001 | ||||
| Central | 8 Hz | 1.36 | 0.06 | 12 Hz | 1.45 | 0.07 | −2.39 | <0.05 |
| Parietal | 8 Hz | 1.23 | 0.06 | 12 Hz | 1.36 | 0.07 | −4.39 | <0.001 |
| 12 Hz | Frontal | 0.62 | 0.02 | Parietal | 0.74 | 0.02 | −3.09 | 0.005 |
| Central | 0.65 | 0.02 | Parietal | 0.74 | 0.02 | −2.30 | <0.05 | |
| Frontal | 8 Hz | 0.55 | 0.01 | 12 Hz | 0.62 | 0.02 | −4.13 | <0.001 |
| Central | 8 Hz | 0.56 | 0.01 | 12 Hz | 0.65 | 0.02 | −5.45 | <0.001 |
| Parietal | 8 Hz | 0.56 | 0.02 | 12 Hz | 0.74 | 0.02 | −7.18 | <0.001 |
| 20 Hz | Frontal | 2.72 | 0.09 | Central | 2.38 | 0.07 | 2.77 | <0.05 |
| Parietal | 2.38 | 0.08 | 2.16 | <0.05 | ||||
| Central | 20 Hz | 2.38 | 0.07 | 28 Hz | 2.46 | 0.07 | −2.26 | <0.05 |
| Parietal | 20 Hz | 2.38 | 0.08 | 28 Hz | 2.56 | 0.09 | −6.81 | <0.001 |
| 20 Hz | Frontal | 1.93 | 0.09 | Central | 1.59 | 0.07 | 2.90 | <0.01 |
| Parietal | 1.58 | 0.08 | 2.31 | <0.05 | ||||
| Frontal | 20 Hz | 1.93 | 0.09 | 28 Hz | 1.80 | 0.09 | 6.06 | <0.001 |
| Parietal | 20 Hz | 1.58 | 0.08 | 28 Hz | 1.74 | 0.09 | 6.59 | <0.001 |
Interaction of SITE and PLAY ONSET (PlOn) for .
| PlOn 1 | Frontal | 2.89 | 0.08 | Central | 1.98 | 0.06 | 8.57 | <0.001 |
| Parietal | 1.93 | 0.06 | 7.27 | <0.001 | ||||
| PlOn 2 | Frontal | 2.80 | 0.07 | Central | 2.05 | 0.07 | 7.28 | <0.001 |
| Parietal | 1.96 | 0.07 | 6.31 | <0.001 | ||||
| Frontal | PlOn 1 | 2.89 | 0.08 | PlOn 2 | 2.80 | 0.07 | 2.35 | <0.05 |
| Central | PlOn 1 | 1.98 | 0.06 | PlOn 2 | 2.05 | 0.07 | −2.33 | <0.05 |
| PlOn 1 | Frontal | 2.29 | 0.08 | Central | 1.38 | 0.06 | 8.93 | <0.001 |
| Parietal | 1.28 | 0.06 | 8.07 | <0.001 | ||||
| PlOn 2 | Frontal | 2.26 | 0.07 | Central | 1.44 | 0.06 | 8.10 | <0.001 |
| Parietal | 1.71 | 0.06 | 7.23 | <0.001 | ||||
| Frontal | PlOn 1 | 2.29 | 0.08 | PlOn 2 | 2.26 | 0.07 | 2.27 | <0.05 |
| Central | PlOn 1 | 1.38 | 0.06 | PlOn 2 | 1.44 | 0.06 | −2.46 | <0.05 |
Main effects for .
| BAND [ | |||||||
| SITE [ | |||||||
| Frontal | 2.26 | 0.07 | Central | 1.41 | 0.06 | 8.75 | <0.001 |
| Parietal | 1.29 | 0.06 | 7.84 | <0.001 | |||
Figure 3Interaction of coupling direction and time in simple-effects ANOVAs of between-brain out-strengths ( at frontal electrodes at 12 Hz and (B) in the beta band, i.e., collapsed across 20 and 28 Hz and all electrode sites, as neither the frequency band nor the electrode site had an effect here.
Interaction of DIRECTION and TIME for .
| Leader to follower | |||||||
| Before | 0.55 | 0.04 | After | 0.71 | 0.03 | –3.60 | <0.01 |
| After | |||||||
| Leader to follower | 0.71 | 0.03 | Follower to leader | 0.59 | 0.03 | 2.86 | <0.01 |
| Leader to follower | |||||||
| Before | 0.81 | 0.04 | After | 0.65 | 0.03 | 3.72 | <0.001 |
Interaction of DIRECTION and TIME for .
| Before | 0.83 | 0.01 | After | 0.81 | 0.01 | 2.21 | <0.05 |
| Leader to follower | 0.83 | 0.01 | Follower to leader | 0.81 | 0.01 | 3.02 | <0.01 |
Matching of age and qualification aspects of guitarists A and B in the 12 duets of the final sample.
| 1 | 30 | 41 | 12 | 17 | n | n | n | n | y | y |
| 2 | 46 | 46 | 38 | 39 | y | y | y | y | y | y |
| 3 | 58 | 50 | 48 | 20 | n | n | n | n | n | n |
| 4 | 20 | 25 | 11 | 14 | y | y | n | y | y | y |
| 5 | 29 | 40 | 18 | 30 | y | y | y | y | y | y |
| 6 | 41 | 47 | 25 | 37 | n | n | y | y | y | y |
| 7 | 26 | 30 | 10 | 11 | n | n | n | n | n | y |
| 8 | 30 | 28 | 17 | 15 | n | n | y | y | n | n |
| 9 | 37 | 28 | 29 | 16 | y | n | y | y | y | y |
| 10 | 44 | 47 | 30 | 33 | n | n | n | n | y | n |
| 11 | 29 | 22 | 10 | 7 | n | n | n | n | n | n |
| 12 | 49 | 20 | 25 | 13 | y | y | y | n | y | n |
| Mean | Mean | 11 out of 12 | 10 out of 12 | 9 out of 12 | ||||||
| difference = 7.92 | difference = 7.92 | concordant | concordant | concordant | ||||||
| ( | ( | |||||||||
Experience, years since participant started to play the guitar.
Conservatory, participant has studied/is studying guitar (y) or not (n).
Work, participant works as guitarist (y) or not (n).
Ensemble, participant is currently a member of a music ensemble (y) or not (n).