| Literature DB >> 23626534 |
Andrea d'Avella1, Francesco Lacquaniti.
Abstract
Controlling the movement of the arm to achieve a goal, such as reaching for an object, is challenging because it requires coordinating many muscles acting on many joints. The central nervous system (CNS) might simplify the control of reaching by directly mapping initial states and goals into muscle activations through the combination of muscle synergies, coordinated recruitment of groups of muscles with specific activation profiles. Here we review recent results from the analysis of reaching muscle patterns supporting such a control strategy. Muscle patterns for point-to-point movements can be reconstructed by the combination of a small number of time-varying muscle synergies, modulated in amplitude and timing according to movement directions and speeds. Moreover, the modulation and superposition of the synergies identified from point-to-point movements captures the muscle patterns underlying multi-phasic movements, such as reaching through a via-point or to a target whose location changes after movement initiation. Thus, the sequencing of time-varying muscle synergies might implement an intermittent controller which would allow the construction of complex movements from simple building blocks.Entities:
Keywords: EMG; human; intermittency; motor control; muscle synergies; reaching movements
Year: 2013 PMID: 23626534 PMCID: PMC3630368 DOI: 10.3389/fncom.2013.00042
Source DB: PubMed Journal: Front Comput Neurosci ISSN: 1662-5188 Impact factor: 2.380
Figure 1Concept of time-invariant and time-varying synergies. (A) Three different activation balances among five muscles are expressed by three vectors (w), whose components are represented by horizontal bars of different lengths. (B) A time-varying muscle pattern [m(t)] is generated by combining the synergies with time-varying scaling coefficients [c(t)]. Different patterns can be obtained by changing the scaling coefficient waveforms. (C) Each one of the two time-varying synergies illustrated is composed by a collection of muscle activation waveforms. The profile inside the rectangle below each synergy represents the mean activation waveform for that synergy. (D) A time-varying muscle pattern [m(t)] is generated by multiplying all waveforms of each synergy by a single scaling coefficient (c), shifting them in time by a single delay (t), and summing them together. Different patterns are obtained by changing two scaling coefficients and two delays.
Figure 2Muscle synergies for fast reaching movement. (A) A set of five time-varying synergies, identified from the muscle patterns recorded during point-to-point movements between one central location and 8 peripheral locations in the frontal and sagittal planes with a movement duration below 400 ms. (B) The activation waveforms of 17 shoulder and arm muscles for four movement conditions (columns) are reconstructed by activating the five synergies with different amplitudes and at different times and then by combining, muscle by muscle, the amplitude-scaled and time-shifted muscle activation waveforms of each synergies. At the top of the panel the gray areas represent the averaged EMG activity and the solid black lines the synergy reconstruction. At the bottom of the panel, the amplitude scaling coefficient c of each synergy and movement condition is represented by the height of a rectangle and the onset latency t and the duration of the synergy is indicated by the horizontal position of the rectangle. The profile within each rectangle represents the mean muscle waveform of each synergy i.e., they are scaled versions of the waveforms shown below each synergy at the bottom of panel A. (C) The amplitude coefficients (c) for all five synergies (color coded) across all eight movement directions in the frontal (top) and sagittal (bottom) planes are shown in a polar plot. Thus, for each movement direction, the amplitude coefficient is indicated by the distance from the origin of a colored marker in the corresponding direction. Such polar plots clearly show that the amplitude coefficients are modulated by movement direction (directional tuning) and that each synergy has a specific preferred direction (direction of maximal activation). In most cases the directional tuning is well captured by a cosine function (corresponding to a circle in the polar plot). Adapted from (d'Avella et al., 2006) © 2006 by the Society of Neuroscience, with permission.