| Literature DB >> 23028308 |
Eva H Stukenbrock1, Thomas Bataillon.
Abstract
Entities:
Mesh:
Year: 2012 PMID: 23028308 PMCID: PMC3460620 DOI: 10.1371/journal.ppat.1002893
Source DB: PubMed Journal: PLoS Pathog ISSN: 1553-7366 Impact factor: 6.823
Figure 1A population genomic approach allows the identification of synonymous and non-synonymous polymorphisms and substitutions.
Based on these parameters, amounts of adaptive evolution and the strength of purifying selection can be quantified. (A) A multi-species (between species) and multi-genotype (within species) alignment. Nucleotide positions can be categorized as either synonymous (*S) or non-synonymous (*N). Comparison of sequences from distinct species allows the detection of sites that have undergone substitutions, while the comparison of individuals of the same species allows the detection of non-synonymous (P) and synonymous (P) polymorphisms. While P and P reflect present time nucleotide variation in a species, the two rates of divergence d and d inform on types of selection during the past divergence of the species. Contrasting the rates of polymorphism and divergence (using a McDonald-Kreitmann-based test [24]) provides a finer grained picture of ongoing levels of purifying selection. (B) During the divergence of a new pathogen species in an agricultural environment, non-synonymous and synonymous substitutions have accumulated in the genome. A branch-specific model [28] can infer rates of non-synonymous and synonymous substitutions as d and d. The d/d ratio provides insight into the amount of fixed substitutions since the species divergence. An increased d/d ratio reflects either a relaxation of purifying selection (accumulation of slightly deleterious mutations) or the fixation of adaptive mutations. To assess the strength of purifying selection we can compare ratios of non-synonymous to synonymous polymorphisms (P/P). A comparison of P/P ratios between populations can illustrate differences in evolutionary rates under different environmental conditions. Pictures are courtesy of Julien Dutheil.