Literature DB >> 22524361

Mental imagery in music performance: underlying mechanisms and potential benefits.

Peter E Keller1.   

Abstract

This paper examines the role of mental imagery in music performance. Self-reports by musicians, and various other sources of anecdotal evidence, suggest that covert auditory, motor, and/or visual imagery facilitate multiple aspects of music performance. The cognitive and motor mechanisms that underlie such imagery include working memory, action simulation, and internal models. Together these mechanisms support the generation of anticipatory images that enable thorough action planning and movement execution that is characterized by efficiency, temporal precision, and biomechanical economy. In ensemble performance, anticipatory imagery may facilitate interpersonal coordination by enhancing online predictions about others' action timing. Overlap in brain regions subserving auditory imagery and temporal prediction is consistent with this view. It is concluded that individual differences in anticipatory imagery may be a source of variation in expressive performance excellence and the quality of ensemble cohesion. Engaging in effortful musical imagery is therefore justified when artistic perfection is the goal.
© 2012 New York Academy of Sciences.

Mesh:

Year:  2012        PMID: 22524361     DOI: 10.1111/j.1749-6632.2011.06439.x

Source DB:  PubMed          Journal:  Ann N Y Acad Sci        ISSN: 0077-8923            Impact factor:   5.691


  34 in total

1.  Motor simulation and the coordination of self and other in real-time joint action.

Authors:  Giacomo Novembre; Luca F Ticini; Simone Schütz-Bosbach; Peter E Keller
Journal:  Soc Cogn Affect Neurosci       Date:  2013-05-24       Impact factor: 3.436

Review 2.  Rhythm in joint action: psychological and neurophysiological mechanisms for real-time interpersonal coordination.

Authors:  Peter E Keller; Giacomo Novembre; Michael J Hove
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2014-12-19       Impact factor: 6.237

3.  Modulation of isochronous movements in a flexible environment: links between motion and auditory experience.

Authors:  Riccardo Bravi; Claudia Del Tongo; Erez James Cohen; Gabriele Dalle Mura; Alessandro Tognetti; Diego Minciacchi
Journal:  Exp Brain Res       Date:  2014-03-21       Impact factor: 1.972

4.  Auditory imagery and the poor-pitch singer.

Authors:  Peter Q Pfordresher; Andrea R Halpern
Journal:  Psychon Bull Rev       Date:  2013-08

5.  Neural network retuning and neural predictors of learning success associated with cello training.

Authors:  Indiana Wollman; Virginia Penhune; Melanie Segado; Thibaut Carpentier; Robert J Zatorre
Journal:  Proc Natl Acad Sci U S A       Date:  2018-06-11       Impact factor: 11.205

6.  Knowing too little or too much: the effects of familiarity with a co-performer's part on interpersonal coordination in musical ensembles.

Authors:  Marie Ragert; Tim Schroeder; Peter E Keller
Journal:  Front Psychol       Date:  2013-06-25

7.  Flexibility of movement organization in piano performance.

Authors:  Shinichi Furuya; Eckart Altenmüller
Journal:  Front Hum Neurosci       Date:  2013-07-16       Impact factor: 3.169

8.  Frontoparietal, Cerebellum Network Codes for Accurate Intention Prediction in Altered Perceptual Conditions.

Authors:  L Ceravolo; S Schaerlaeken; S Frühholz; D Glowinski; D Grandjean
Journal:  Cereb Cortex Commun       Date:  2021-04-23

9.  Kinesthetic imagery of musical performance.

Authors:  Martin Lotze
Journal:  Front Hum Neurosci       Date:  2013-06-13       Impact factor: 3.169

10.  The ADaptation and Anticipation Model (ADAM) of sensorimotor synchronization.

Authors:  M C Marieke van der Steen; Peter E Keller
Journal:  Front Hum Neurosci       Date:  2013-06-10       Impact factor: 3.169

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