Literature DB >> 21880410

Captured by motion: dance, action understanding, and social cognition.

Vassilis Sevdalis1, Peter E Keller.   

Abstract

In this review article, we summarize the main findings from empirical studies that used dance-related forms of rhythmical full body movement as a research tool for investigating action understanding and social cognition. This work has proven to be informative about behavioral and brain mechanisms that mediate links between perceptual and motor processes invoked during the observation and execution of spatially-temporally coordinated action and interpersonal interaction. The review focuses specifically on processes related to (a) motor experience and expertise, (b) learning and memory, (c) action, intention, and emotion understanding, and (d) audio-visual synchrony and timing. Consideration is given to the relationship between research on dance and more general embodied cognition accounts of action understanding and social cognition. Finally, open questions and issues concerning experimental design are discussed with a view to stimulating future research on social-cognitive aspects of dance.
Copyright © 2011 Elsevier Inc. All rights reserved.

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Year:  2011        PMID: 21880410     DOI: 10.1016/j.bandc.2011.08.005

Source DB:  PubMed          Journal:  Brain Cogn        ISSN: 0278-2626            Impact factor:   2.310


  30 in total

1.  Passive motion paradigm: an alternative to optimal control.

Authors:  Vishwanathan Mohan; Pietro Morasso
Journal:  Front Neurorobot       Date:  2011-12-27       Impact factor: 2.650

2.  Perceiving bodies in motion: expression intensity, empathy, and experience.

Authors:  Vassilis Sevdalis; Peter E Keller
Journal:  Exp Brain Res       Date:  2012-09-01       Impact factor: 1.972

3.  Musical experts recruit action-related neural structures in harmonic anomaly detection: evidence for embodied cognition in expertise.

Authors:  Jason Sherwin; Paul Sajda
Journal:  Brain Cogn       Date:  2013-09-18       Impact factor: 2.310

4.  Sight over sound in the judgment of music performance.

Authors:  Chia-Jung Tsay
Journal:  Proc Natl Acad Sci U S A       Date:  2013-08-19       Impact factor: 11.205

5.  Informational constraints on spontaneous visuomotor entrainment.

Authors:  Manuel Varlet; Colleen Bucci; Michael J Richardson; R C Schmidt
Journal:  Hum Mov Sci       Date:  2015-04-09       Impact factor: 2.161

6.  Look at those two!: The precuneus role in unattended third-person perspective of social interactions.

Authors:  Karin Petrini; Lukasz Piwek; Frances Crabbe; Frank E Pollick; Simon Garrod
Journal:  Hum Brain Mapp       Date:  2014-05-14       Impact factor: 5.038

7.  Perception of 'Back-Channeling' Nonverbal Feedback in Musical Duo Improvisation.

Authors:  Nikki Moran; Lauren V Hadley; Maria Bader; Peter E Keller
Journal:  PLoS One       Date:  2015-06-18       Impact factor: 3.240

8.  Frontoparietal, Cerebellum Network Codes for Accurate Intention Prediction in Altered Perceptual Conditions.

Authors:  L Ceravolo; S Schaerlaeken; S Frühholz; D Glowinski; D Grandjean
Journal:  Cereb Cortex Commun       Date:  2021-04-23

9.  Continuous theta burst stimulation (cTBS) on left cerebellar hemisphere affects mental rotation tasks during music listening.

Authors:  Silvia Picazio; Massimiliano Oliveri; Giacomo Koch; Carlo Caltagirone; Laura Petrosini
Journal:  PLoS One       Date:  2013-05-28       Impact factor: 3.240

10.  Engagement in dance is associated with emotional competence in interplay with others.

Authors:  Eva Bojner Horwitz; Anna-Karin Lennartsson; Töres P G Theorell; Fredrik Ullén
Journal:  Front Psychol       Date:  2015-07-31
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