Literature DB >> 21875245

A frog in your throat or in your ear? Searching for the causes of poor singing.

Sean Michael Hutchins1, Isabelle Peretz.   

Abstract

Singing is a cultural universal and an important part of modern society, yet many people fail to sing in tune. Many possible causes have been posited to explain poor singing abilities; foremost among these are poor perceptual ability, poor motor control, and sensorimotor mapping errors. To help discriminate between these causes of poor singing, we conducted 5 experiments testing musicians and nonmusicians in pitch matching and judgment tasks. Experiment 1 introduces a new instrument called a slider, on which participants can match pitches without using their voice. Pitch matching on the slider can be directly compared with vocal pitch matching, and results showed that both musicians and nonmusicians were more accurate using the slider than their voices to match target pitches, arguing against a perceptual explanation of singing deficits. Experiment 2 added a self-matching condition and showed that nonmusicians were better at matching their own voice than a synthesized voice timbre, but were still not as accurate as on the slider. This suggests a timbral translation type of mapping error. Experiments 3 and 4 demonstrated that singers do not improve over multiple sung responses, or with the aid of a visual representation of pitch. Experiment 5 showed that listeners were more accurate at perceiving the pitch of the synthesized tones than actual voice tones. The pattern of results across experiments demonstrates multiple possible causes of poor singing, and attributes most of the problem to poor motor control and timbral-translation errors, rather than a purely perceptual deficit, as other studies have suggested.

Entities:  

Mesh:

Year:  2011        PMID: 21875245     DOI: 10.1037/a0025064

Source DB:  PubMed          Journal:  J Exp Psychol Gen        ISSN: 0022-1015


  19 in total

1.  Direct and octave-shifted pitch matching during nonword imitations in men, women, and children.

Authors:  Beate Peter; Bronsyn Foster; Heather Haas; Kyle Middleton; Kiersten McKibben
Journal:  J Voice       Date:  2014-11-25       Impact factor: 2.009

2.  Intermittent theta burst stimulation over right somatosensory larynx cortex enhances vocal pitch-regulation in nonsingers.

Authors:  Sebastian Finkel; Ralf Veit; Martin Lotze; Anders Friberg; Peter Vuust; Surjo Soekadar; Niels Birbaumer; Boris Kleber
Journal:  Hum Brain Mapp       Date:  2019-01-21       Impact factor: 5.038

3.  Auditory imagery and the poor-pitch singer.

Authors:  Peter Q Pfordresher; Andrea R Halpern
Journal:  Psychon Bull Rev       Date:  2013-08

Review 4.  Neurological and developmental approaches to poor pitch perception and production.

Authors:  Psyche Loui; Steven M Demorest; Peter Q Pfordresher; Janani Iyer
Journal:  Ann N Y Acad Sci       Date:  2015-03       Impact factor: 5.691

5.  On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation?

Authors:  Peter Q Pfordresher; Pauline Larrouy-Maestri
Journal:  Front Hum Neurosci       Date:  2015-05-15       Impact factor: 3.169

6.  Uncovering phenotypes of poor-pitch singing: the Sung Performance Battery (SPB).

Authors:  Magdalena Berkowska; Simone Dalla Bella
Journal:  Front Psychol       Date:  2013-10-18

7.  The influence of vocal training and acting experience on measures of voice quality and emotional genuineness.

Authors:  Steven R Livingstone; Deanna H Choi; Frank A Russo
Journal:  Front Psychol       Date:  2014-03-07

8.  Effects of Visual and Auditory Feedback in Violin and Singing Voice Pitch Matching Tasks.

Authors:  Angel David Blanco; Simone Tassani; Rafael Ramirez
Journal:  Front Psychol       Date:  2021-07-08

9.  Layman versus Professional Musician: Who Makes the Better Judge?

Authors:  Pauline Larrouy-Maestri; David Magis; Matthias Grabenhorst; Dominique Morsomme
Journal:  PLoS One       Date:  2015-08-26       Impact factor: 3.240

10.  Listening to the human voice alters sensorimotor brain rhythms.

Authors:  Yohana Lévêque; Daniele Schön
Journal:  PLoS One       Date:  2013-11-12       Impact factor: 3.240

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