| Literature DB >> 21713188 |
Asifa Majid1, Nicholas Evans, Alice Gaby, Stephen C Levinson.
Abstract
Cultures are built on social exchange. Most languages have dedicated grammatical machinery for expressing this. To demonstrate that statistical methods can also be applied to grammatical meaning, we here ask whether the underlying meanings of these grammatical constructions are based on shared common concepts. To explore this, we designed video stimuli of reciprocated actions (e.g., "giving to each other") and symmetrical states (e.g., "sitting next to each other"), and with the help of a team of linguists collected responses from 20 languages around the world. Statistical analyses revealed that many languages do, in fact, share a common conceptual core for reciprocal meanings but that this is not a universally expressed concept. The recurrent pattern of conceptual packaging found across languages is compatible with the view that there is a shared non-linguistic understanding of reciprocation. But, nevertheless, there are considerable differences between languages in the exact extensional patterns, highlighting that even in the domain of grammar semantics is highly language-specific.Entities:
Keywords: category; construction; extension; grammar; intension; meaning; reciprocal; semantics
Year: 2011 PMID: 21713188 PMCID: PMC3110972 DOI: 10.3389/fpsyg.2011.00034
Source DB: PubMed Journal: Front Psychol ISSN: 1664-1078
Parameters varied in reciprocal videoclips.
| Number of participants | Configuration | Symmetry | Temporal organization | Event-type |
|---|---|---|---|---|
| Two | Strong | Symmetrical | Simultaneous | Bump |
| Three | Pair | Asymmetrical | Sequential | Chase |
| Four | Chain | Both | Delouse | |
| Five | Radial | (inapplicable) | Follow | |
| Six | Melee | Give | ||
| Eleven | Ring | Hit | ||
| (inapplicable) | Hug | |||
| Lean | ||||
| Look | ||||
| Meet | ||||
| Be.next.to | ||||
| Shake.hand | ||||
| Talk |
1The “inapplicable” category under configuration and temporal organization refers to dual asymmetrical events, i.e., where A only acts on B.
Figure 1Configuration types manipulated in the reciprocals video stimuli.
Figure 2Languages in sample.
Figure 3Factor analysis of languages according to the overall pattern of categorization of reciprocal events.
Figure 4Cluster analysis of languages overall pattern of categorization of reciprocal events.
Figure 5Multidimensional scaling solution of the videoclips as categorized across languages.
Full description of videoclips.
| Videoclip | Description of videoclip |
|---|---|
| 01 | One person talking and one listening |
| 02 | Four people in a straight line A hugs B – B does not respond; B hugs C – C does not respond; C hugs D – D does not respond |
| 03 | One person hits and then the other person hits |
| 04 | Three people – everyone gives the same book: A give B; B give C; A give C; C give B; B give A; C give A |
| 05 | Four people – everyone hits everyone else one after the other: A hit B and C and D; B hit A and C and D; C hit A and B and D; |
| 06 | Two pairs of people each pair – A delouses B and C delouses D |
| 07 | Two women give each other a bear hug |
| 08 | Four people sitting on one bench |
| 09 | A and B approach from off-screen and then stop once they reach each other |
| 10 | A picks through B's hair (A sitting behind B), then they reverse positions and B picks through A's hair |
| 11 | Two people talking at the same time |
| 12 | Two people leaning against each other |
| 13 | Six people sit in a line each person shakes hands with the person to their left and to their right |
| 14 | Three people – one person chases a second who is simultaneously chasing a third |
| 15 | Four people sitting on a bench two benches |
| 16 | One person gets hugged by three other people |
| 17 | One person hits – the other takes it |
| 18 | Two people sitting on a bench |
| 19 | Six people sit in a line each person gives to and receives from the person to their left and to their right |
| 20 | Three girls hug each other at the same time |
| 21 | A gives to B; C gives to D; B gives to C; D gives to B; A gives to D; C gives to A; B gives to A; C gives to A |
| 22 | A bumps into B and then B bumps into A |
| 23 | One person hugging; the other non-responsive |
| 24 | A walks along, oblivious to the fact that B is following her. Then A hides behind a tree and, after B passes it, A starts following B |
| 25 | A repeatedly glances at B, who is looking away |
| 26 | A takes off a watch and gives it to B |
| 27 | A stealthily follows B |
| 28 | Six people sitting in a circle each with a different object; A passes X B; B Y to C; C passes Z to D etc; ending with D giving W to A |
| 29 | Six people: three people in a line hug three other people |
| 30 | Three pairs of people each pair – A gives X to B and then B gives Y A |
| 31 | Two people look at a third person |
| 32 | One person (A) gives three people books and those three people each give something back |
| 33 | Two people staring into each other's eyes |
| 34 | Six people sitting in a line – A passes package to B, B to C; C to D etc |
| 35 | Three sets of two books leaning against each other |
| 36 | A chases B, then B starts chasing A |
| 37 | Six people sitting in a line – A passes X to B, B passes Y to C; C passes Z to D etc |
| 38 | Four people: everyone shakes hands: A shake B; A shake C; A shake D; B shake C; B shake D; C shake D |
| 39 | Two pairs of people A chases B and C chases D |
| 40 | Two people talking in turns |
| 41 | A takes off her glasses and gives it to B; B takes off her glasses and gives it to A |
| 42 | Three pairs of people each pair – A hits B and then B hits A |
| 43 | A group of five people chasing each other around |
| 44 | A hits B, B hits C and then D, C hits B and D hits C |
| 45 | A and B are facing each other, simultaneously picking through each others’ hair |
| 46 | A and B sitting next to each other. A looks across at B while B is looking away, then A looks at his/her lap while B looks at A. |
| 47 | Two people hug an unresponsive third person |
| 48 | Four people sitting on a bench; A hits B – B does not respond; B hits C – C does not respond; C hits D – D does not respond |
| 49 | Three people shake hands with three other people – one on one |
| 50 | Three people hitting each other at the same time |
| 51 | A picks through B's hair |
| 52 | Two girls hug each other; one hugs another one; and then that girl hugs another one |
| 53 | Four sticks leaning against each other – teepee |
| 54 | Two people hit each other at the same time |
| 55 | A and B both moving and bump into each other |
| 56 | Three people – one person standing, one on a seat, one on the floor each of them delousing the one in front of them |
| 57 | Six people sit in a line each person slaps and is slapped by the person to their left and to their right sequentially |
| 58 | Two people hugging in turns |
| 59 | A bumps into B |
| 60 | Three people look at someone walking by |
| 61 | Four people sitting on a bench and the central pair hug each other, and then turn and hug the other person sitting next to them |
| 62 | Two groups of people meet each other |
| 63 | A and B shake hands the normal way |
| 64 | A chases B across the screen. |
Videos can be downloaded from http://fieldmanuals.mpi.nl/volumes/2004/reciprocals/
Correlation of videoclip loadings on MDS analysis in Figure .
| Number of participants | Configuration | Symmetry | Temporal organization | Event-type | |
|---|---|---|---|---|---|
| Dimension 1 | 0.21 | 0.51** | 0.45** | 0.46** | 0.37** |
| Dimension 2 | 0.05 | 0.13 | 0.29* | 0.20 | 0.11 |
*Correlation is significant at the 0.05 level (two-tailed). **Correlation is significant at the 0.01 level (two-tailed).
Figure 6Extensional range for Hup (top) and Lao (bottom) constructions.
Figure 8Extensional range for Mah Meri (top) and Indo-Pakistani Sign Language (bottom) constructions.
Figure 7Extensional range for general reciprocal constructions in Jahai (top left), Savosavo (top right), English (bottom left) and Khoekhoe (bottom right).
Figure 9Constructional similarity space. The Hup and Lao constructions are the most inclusive and are plotted on the right. As we move toward the left of Dimension 1, constructions become progressively more restrictive. On Dimension 2, Indo-Pakistani Sign Language and Mah Meri are most sharply distinguished, due to their differential extension over clip space (see Figure 8).