Literature DB >> 21601541

Towards a neural basis of processing musical semantics.

Stefan Koelsch1.   

Abstract

Processing of meaning is critical for language perception, and therefore the majority of research on meaning processing has focused on the semantic, lexical, conceptual, and propositional processing of language. However, music is another a means of communication, and meaning also emerges from the interpretation of musical information. This article provides a framework for the investigation of the processing of musical meaning, and reviews neuroscience studies investigating this issue. These studies reveal two neural correlates of meaning processing, the N400 and the N5 (which are both components of the event-related electric brain potential). Here I argue that the N400 can be elicited by musical stimuli due to the processing of extra-musical meaning, whereas the N5 can be elicited due to the processing of intra-musical meaning. Notably, whereas the N400 can be elicited by both linguistic and musical stimuli, the N5 has so far only been observed for the processing of meaning in music. Thus, knowledge about both the N400 and the N5 can advance our understanding of how the human brain processes meaning information.
Copyright © 2011 Elsevier B.V. All rights reserved.

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Year:  2011        PMID: 21601541     DOI: 10.1016/j.plrev.2011.04.004

Source DB:  PubMed          Journal:  Phys Life Rev        ISSN: 1571-0645            Impact factor:   11.025


  21 in total

Review 1.  Principles of structure building in music, language and animal song.

Authors:  Martin Rohrmeier; Willem Zuidema; Geraint A Wiggins; Constance Scharff
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2015-03-19       Impact factor: 6.237

2.  Toward a neural basis of music perception - a review and updated model.

Authors:  Stefan Koelsch
Journal:  Front Psychol       Date:  2011-06-09

3.  Iconic Meaning in Music: An Event-Related Potential Study.

Authors:  Liman Cai; Ping Huang; Qiuling Luo; Hong Huang; Lei Mo
Journal:  PLoS One       Date:  2015-07-10       Impact factor: 3.240

4.  Origin of music and embodied cognition.

Authors:  Leonid Perlovsky
Journal:  Front Psychol       Date:  2015-04-28

5.  Syntax in language and music: what is the right level of comparison?

Authors:  Rie Asano; Cedric Boeckx
Journal:  Front Psychol       Date:  2015-07-02

6.  From understanding to appreciating music cross-culturally.

Authors:  Thomas Hans Fritz; Paul Schmude; Sebastian Jentschke; Angela D Friederici; Stefan Koelsch
Journal:  PLoS One       Date:  2013-09-04       Impact factor: 3.240

Review 7.  Brain disorders and the biological role of music.

Authors:  Camilla N Clark; Laura E Downey; Jason D Warren
Journal:  Soc Cogn Affect Neurosci       Date:  2014-05-19       Impact factor: 3.436

8.  Editorial: Music, Brain, and Rehabilitation: Emerging Therapeutic Applications and Potential Neural Mechanisms.

Authors:  Teppo Särkämö; Eckart Altenmüller; Antoni Rodríguez-Fornells; Isabelle Peretz
Journal:  Front Hum Neurosci       Date:  2016-03-09       Impact factor: 3.169

9.  Evidence for shared cognitive processing of pitch in music and language.

Authors:  Tyler K Perrachione; Evelina G Fedorenko; Louis Vinke; Edward Gibson; Laura C Dilley
Journal:  PLoS One       Date:  2013-08-15       Impact factor: 3.240

10.  Semantics, syntax or neither? A case for resolution in the interpretation of N500 and P600 responses to harmonic incongruities.

Authors:  Cara R Featherstone; Catriona M Morrison; Mitch G Waterman; Lucy J MacGregor
Journal:  PLoS One       Date:  2013-11-05       Impact factor: 3.240

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