Literature DB >> 21331834

Phrasing influences the recognition of melodies.

P Chiappe1, M A Schmuckler.   

Abstract

One critical step in the processing of complex auditory information (i.e., language and music) involves organizing such information into hierarchical units, such as phrases. In this study, musically trained and untrained listeners' recognition memory for short, naturalistic melodies varying in their phrase structure was tested. For musically trained subjects, memory for information preceding a phrase boundary was disrupted and memory for information subsequent to a phrase boundary was enhanced relative to memory in similar temporal locations for excerpts not containing a phrase boundary. Musically untrained listeners, in contrast, showed no such differences as a function of the phrasing of the melody. These findings conform with previous results in both psycholinguistics and musical cognition and suggest that the phrase serves as a functional unit in musical processing, guiding the parsing of musical sequences during perception, along with the structuring of memory for musical passages.

Year:  1997        PMID: 21331834     DOI: 10.3758/BF03209402

Source DB:  PubMed          Journal:  Psychon Bull Rev        ISSN: 1069-9384


  6 in total

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Authors:  P Bertelson; F Tisseyre
Journal:  Q J Exp Psychol       Date:  1970-11       Impact factor: 2.143

Review 2.  Pitch and rhythmic patterns affecting infants' sensitivity to musical phrase structure.

Authors:  P W Jusczyk; C L Krumhansl
Journal:  J Exp Psychol Hum Percept Perform       Date:  1993-06       Impact factor: 3.332

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Authors:  A H Gregory
Journal:  Percept Psychophys       Date:  1978-08

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Review 6.  Musical context effects in infants and adults: key distance.

Authors:  L J Trainor; S E Trehub
Journal:  J Exp Psychol Hum Percept Perform       Date:  1993-06       Impact factor: 3.332

  6 in total
  3 in total

1.  Perception of phrase structure in music.

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Journal:  Hum Brain Mapp       Date:  2005-04       Impact factor: 5.038

2.  The Processing of Discontinuous Dependencies in Language and Music.

Authors:  David Swinney; Tracy Love
Journal:  Music Percept       Date:  1998

3.  Evoked responses to note onsets and phrase boundaries in Mozart's K448.

Authors:  Yijing Feng; Robert J Quon; Barbara C Jobst; Michael A Casey
Journal:  Sci Rep       Date:  2022-06-10       Impact factor: 4.996

  3 in total

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