Literature DB >> 20725606

Inducing Disorders in Pitch Perception and Production: a Reverse-Engineering Approach.

Psyche Loui, Anja Hohmann, Gottfried Schlaug.   

Abstract

To perceive and produce music accurately, the brain must represent, categorize, plan, and execute pitched information in response to environmental stimuli. Convergent methods from psychophysics, voxel-based morphometry, and diffusion tensor imaging with normal and tone-deaf (TD) subjects have shown that neural networks controlling pitch perception and production systems include bilateral frontotemporal networks. Although psychophysical and neuroimaging results are suggestive of a superior temporal and inferior frontal network responsible for pitch perception and production, active intervention of these areas is necessary to establish a causal connection between superior temporal and inferior frontal areas and pitch production ability. We sought to reverse-engineer the pitch perception-production network by noninvasive brain stimulation. Transcranial direct current stimulation (tDCS), a noninvasive brain-stimulation technique that is optimal for auditory research, was applied over superior temporal and inferior frontal regions. Pitch matching ability was assessed using an individually optimized pitch matching task administered after each stimulation session. Results showed diminished accuracy in pitch matching after cathodal stimulation over inferior frontal and superior temporal areas compared to sham control. Results demonstrate that intact function and connectivity of a distributed cortical network, centered around bilateral superior temporal and inferior frontal regions, are required for efficient neural interactions with musical sounds.

Entities:  

Year:  2010        PMID: 20725606      PMCID: PMC2923395          DOI: 10.1121/1.3431713

Source DB:  PubMed          Journal:  Proc Meet Acoust


  19 in total

1.  Music perception and octave generalization in rhesus monkeys.

Authors:  A A Wright; J J Rivera; S H Hulse; M Shyan; J J Neiworth
Journal:  J Exp Psychol Gen       Date:  2000-09

Review 2.  Updates on the use of non-invasive brain stimulation in physical and rehabilitation medicine.

Authors:  Julie A Williams; Marta Imamura; Felipe Fregni
Journal:  J Rehabil Med       Date:  2009-04       Impact factor: 2.912

3.  An acoustical study of vocal pitch matching in congenital amusia.

Authors:  Sean Hutchins; Jean Mary Zarate; Robert J Zatorre; Isabelle Peretz
Journal:  J Acoust Soc Am       Date:  2010-01       Impact factor: 1.840

4.  Abnormal electrical brain responses to pitch in congenital amusia.

Authors:  Isabelle Peretz; Elvira Brattico; Mari Tervaniemi
Journal:  Ann Neurol       Date:  2005-09       Impact factor: 10.422

5.  Key membership and implied harmony in Western tonal music: developmental perspectives.

Authors:  L J Trainor; S E Trehub
Journal:  Percept Psychophys       Date:  1994-08

6.  Newborn infants detect the beat in music.

Authors:  István Winkler; Gábor P Háden; Olivia Ladinig; István Sziller; Henkjan Honing
Journal:  Proc Natl Acad Sci U S A       Date:  2009-01-26       Impact factor: 11.205

Review 7.  Varieties of musical disorders. The Montreal Battery of Evaluation of Amusia.

Authors:  Isabelle Peretz; Annie Sophie Champod; Krista Hyde
Journal:  Ann N Y Acad Sci       Date:  2003-11       Impact factor: 5.691

8.  Singing in congenital amusia.

Authors:  Simone Dalla Bella; Jean-François Giguère; Isabelle Peretz
Journal:  J Acoust Soc Am       Date:  2009-07       Impact factor: 1.840

9.  Spontaneous motor entrainment to music in multiple vocal mimicking species.

Authors:  Adena Schachner; Timothy F Brady; Irene M Pepperberg; Marc D Hauser
Journal:  Curr Biol       Date:  2009-04-30       Impact factor: 10.834

10.  Cortical thickness in congenital amusia: when less is better than more.

Authors:  Krista L Hyde; Jason P Lerch; Robert J Zatorre; Timothy D Griffiths; Alan C Evans; Isabelle Peretz
Journal:  J Neurosci       Date:  2007-11-21       Impact factor: 6.167

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  9 in total

1.  Excitability changes induced in the human auditory cortex by transcranial direct current stimulation: direct electrophysiological evidence.

Authors:  Tino Zaehle; Manuela Beretta; Lutz Jäncke; Christoph S Herrmann; Pascale Sandmann
Journal:  Exp Brain Res       Date:  2011-10-01       Impact factor: 1.972

Review 2.  tDCS polarity effects in motor and cognitive domains: a meta-analytical review.

Authors:  Liron Jacobson; Meni Koslowsky; Michal Lavidor
Journal:  Exp Brain Res       Date:  2011-10-12       Impact factor: 1.972

3.  NEUROLOGICAL BASES OF MUSICAL DISORDERS AND THEIR IMPLICATIONS FOR STROKE RECOVERY.

Authors:  Psyche Loui; Catherine Y Wan; Gottfried Schlaug
Journal:  Acoust Today       Date:  2010-07-01

Review 4.  Neural Mechanisms Underlying Musical Pitch Perception and Clinical Applications Including Developmental Dyslexia.

Authors:  Christopher J Yuskaitis; Mahsa Parviz; Psyche Loui; Catherine Y Wan; Phillip L Pearl
Journal:  Curr Neurol Neurosci Rep       Date:  2015-08       Impact factor: 5.081

5.  Behavioral and electrophysiological effects of transcranial direct current stimulation of the parietal cortex in a visuo-spatial working memory task.

Authors:  K Heimrath; P Sandmann; A Becke; N G Müller; T Zaehle
Journal:  Front Psychiatry       Date:  2012-06-20       Impact factor: 4.157

6.  Polarity-specific transcranial direct current stimulation disrupts auditory pitch learning.

Authors:  Reiko Matsushita; Jamila Andoh; Robert J Zatorre
Journal:  Front Neurosci       Date:  2015-05-18       Impact factor: 4.677

Review 7.  Modulating Human Auditory Processing by Transcranial Electrical Stimulation.

Authors:  Kai Heimrath; Marina Fiene; Katharina S Rufener; Tino Zaehle
Journal:  Front Cell Neurosci       Date:  2016-03-07       Impact factor: 5.505

8.  No Effect of Transcranial Direct Current Stimulation of the Auditory Cortex on Auditory-Evoked Potentials.

Authors:  Katharina Kunzelmann; Lea Meier; Matthias Grieder; Yosuke Morishima; Thomas Dierks
Journal:  Front Neurosci       Date:  2018-11-27       Impact factor: 4.677

9.  Speech and music shape the listening brain: evidence for shared domain-general mechanisms.

Authors:  Salomi S Asaridou; James M McQueen
Journal:  Front Psychol       Date:  2013-06-04
  9 in total

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