Literature DB >> 20574662

Learning expressive percussion performance under different visual feedback conditions.

Alex Brandmeyer1, Renee Timmers, Makiko Sadakata, Peter Desain.   

Abstract

A study was conducted to test the effect of two different forms of real-time visual feedback on expressive percussion performance. Conservatory percussion students performed imitations of recorded teacher performances while receiving either high-level feedback on the expressive style of their performances, low-level feedback on the timing and dynamics of the performed notes, or no feedback. The high-level feedback was based on a Bayesian analysis of the performances, while the low-level feedback was based on the raw participant timing and dynamics data. Results indicated that neither form of feedback led to significantly smaller timing and dynamics errors. However, high-level feedback did lead to a higher proficiency in imitating the expressive style of the target performances, as indicated by a probabilistic measure of expressive style. We conclude that, while potentially disruptive to timing processes involved in music performance due to extraneous cognitive load, high-level visual feedback can improve participant imitations of expressive performance features.

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Year:  2010        PMID: 20574662      PMCID: PMC3036826          DOI: 10.1007/s00426-010-0291-6

Source DB:  PubMed          Journal:  Psychol Res        ISSN: 0340-0727


  6 in total

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Review 5.  Music performance.

Authors:  C Palmer
Journal:  Annu Rev Psychol       Date:  1997       Impact factor: 24.137

6.  Auditory-motor formant tracking: a study of speech imitation.

Authors:  R D Kent
Journal:  J Speech Hear Res       Date:  1974-06
  6 in total
  2 in total

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Journal:  Psychon Bull Rev       Date:  2016-04

2.  Microtiming in Swing and Funk affects the body movement behavior of music expert listeners.

Authors:  Lorenz Kilchenmann; Olivier Senn
Journal:  Front Psychol       Date:  2015-08-20
  2 in total

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