Literature DB >> 20214851

Perceiving dance: schematic expectations guide experts' scanning of a contemporary dance film.

Catherine Stevens1, Heather Winskel, Clare Howell, Lyne-Marine Vidal, Cyril Latimer, Josephine Milne-Home.   

Abstract

Eye fixations and saccades (eye movements) of expert and novice dance observers were compared to determine the effect of acquired expectations on observations of human movement, body morphology, and dance configurations. As hypothesized, measured fixation times of dance experts were significantly shorter than those of novices. In a second viewing of the same sequences, novices recorded significantly shorter fixations than those recorded during viewing session 1. Saccades recorded from experts were significantly faster than those of novices. Although both experts and novices fixated background regions, most likely making use of extrafoveal or peripheral vision to anticipate movement and configurations, novices fixated background regions significantly more than experts in viewing session 1. Their enhanced speed of visual processing suggests that dance experts are adept at anticipating movement and rapidly processing material, probably aided by acquired schemata or expectations in long-term memory and recognition of body and movement configurations.

Entities:  

Mesh:

Year:  2010        PMID: 20214851

Source DB:  PubMed          Journal:  J Dance Med Sci        ISSN: 1089-313X


  13 in total

1.  Biomechanical metrics of aesthetic perception in dance.

Authors:  Shaw Bronner; James Shippen
Journal:  Exp Brain Res       Date:  2015-08-30       Impact factor: 1.972

2.  Sensorimotor integration is enhanced in dancers and musicians.

Authors:  Falisha J Karpati; Chiara Giacosa; Nicholas E V Foster; Virginia B Penhune; Krista L Hyde
Journal:  Exp Brain Res       Date:  2015-12-15       Impact factor: 1.972

3.  Cognitive processing differences of experts and novices when correlating anatomy and cross-sectional imaging.

Authors:  Lonie R Salkowski; Rosemary Russ
Journal:  J Med Imaging (Bellingham)       Date:  2018-05-18

4.  Motor simulation without motor expertise: enhanced corticospinal excitability in visually experienced dance spectators.

Authors:  Corinne Jola; Ali Abedian-Amiri; Annapoorna Kuppuswamy; Frank E Pollick; Marie-Hélène Grosbras
Journal:  PLoS One       Date:  2012-03-21       Impact factor: 3.240

5.  The impact of sensorimotor experience on affective evaluation of dance.

Authors:  Louise P Kirsch; Kim A Drommelschmidt; Emily S Cross
Journal:  Front Hum Neurosci       Date:  2013-09-03       Impact factor: 3.169

6.  Traces across the body: influence of music-dance synchrony on the observation of dance.

Authors:  Matthew Harold Woolhouse; Rosemary Lai
Journal:  Front Hum Neurosci       Date:  2014-12-03       Impact factor: 3.169

7.  Segmentation of dance movement: effects of expertise, visual familiarity, motor experience and music.

Authors:  Bettina E Bläsing
Journal:  Front Psychol       Date:  2015-01-07

8.  Identifying enhanced cortico-basal ganglia loops associated with prolonged dance training.

Authors:  Gujing Li; Hui He; Mengting Huang; Xingxing Zhang; Jing Lu; Yongxiu Lai; Cheng Luo; Dezhong Yao
Journal:  Sci Rep       Date:  2015-06-02       Impact factor: 4.379

9.  Eye movements, attention, and expert knowledge in the observation of Bharatanatyam dance.

Authors:  Raganya Ponmanadiyil; Matthew H Woolhouse
Journal:  J Eye Mov Res       Date:  2018-12-28       Impact factor: 0.957

10.  "Some like it hot": spectators who score high on the personality trait openness enjoy the excitement of hearing dancers breathing without music.

Authors:  Corinne Jola; Frank E Pollick; Beatriz Calvo-Merino
Journal:  Front Hum Neurosci       Date:  2014-09-11       Impact factor: 3.169

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