Literature DB >> 20058993

Perception of musical pitch and lexical tones by Mandarin-speaking musicians.

Chao-Yang Lee1, Yuh-Fang Lee.   

Abstract

The relationship between music and language processing was explored in two perception experiments on the identification of musical notes and Mandarin tones. In the music task, Mandarin-speaking musicians were asked to identify musical notes of three timbres without a reference pitch. 72% of the musicians met the criterion for absolute pitch when an exact match was required, and 82% met the criterion when one-semitone errors were allowed. Accuracy of identification was negatively correlated with age of onset of musical training, and piano notes were identified more accurately than viola and pure tone stimuli. In the Mandarin task, the musicians were able to identify, beyond chance, brief Mandarin tone stimuli that were devoid of dynamic F0 information and cues commonly considered necessary for speaker normalization. Although F0 height detection was involved in both musical note and Mandarin tone identification, performances in the two tasks were not correlated. The putative link between absolute pitch and tone language experience was discussed.

Mesh:

Year:  2010        PMID: 20058993     DOI: 10.1121/1.3266683

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


  9 in total

1.  Musicians and tone-language speakers share enhanced brainstem encoding but not perceptual benefits for musical pitch.

Authors:  Gavin M Bidelman; Jackson T Gandour; Ananthanarayan Krishnan
Journal:  Brain Cogn       Date:  2011-08-10       Impact factor: 2.310

2.  Musical pitch and lexical tone perception with cochlear implants.

Authors:  Wuqing Wang; Ning Zhou; Li Xu
Journal:  Int J Audiol       Date:  2010-12-29       Impact factor: 2.117

Review 3.  How Tone, Intonation and Emotion Shape the Development of Infants' Fundamental Frequency Perception.

Authors:  Liquan Liu; Antonia Götz; Pernelle Lorette; Michael D Tyler
Journal:  Front Psychol       Date:  2022-06-03

4.  Effects of culture on musical pitch perception.

Authors:  Patrick C M Wong; Valter Ciocca; Alice H D Chan; Louisa Y Y Ha; Li-Hai Tan; Isabelle Peretz
Journal:  PLoS One       Date:  2012-04-11       Impact factor: 3.240

5.  Absolute pitch memory: its prevalence among musicians and dependence on the testing context.

Authors:  Yetta Kwailing Wong; Alan C-N Wong
Journal:  Psychon Bull Rev       Date:  2014-04

Review 6.  Brain signal variability as a window into the bidirectionality between music and language processing: moving from a linear to a nonlinear model.

Authors:  Stefanie Hutka; Gavin M Bidelman; Sylvain Moreno
Journal:  Front Psychol       Date:  2013-12-30

7.  Contribution of auditory working memory to speech understanding in mandarin-speaking cochlear implant users.

Authors:  Duoduo Tao; Rui Deng; Ye Jiang; John J Galvin; Qian-Jie Fu; Bing Chen
Journal:  PLoS One       Date:  2014-06-12       Impact factor: 3.240

8.  Combination of absolute pitch and tone language experience enhances lexical tone perception.

Authors:  Akshay R Maggu; Joseph C Y Lau; Mary M Y Waye; Patrick C M Wong
Journal:  Sci Rep       Date:  2021-01-15       Impact factor: 4.379

9.  Tone language speakers and musicians share enhanced perceptual and cognitive abilities for musical pitch: evidence for bidirectionality between the domains of language and music.

Authors:  Gavin M Bidelman; Stefanie Hutka; Sylvain Moreno
Journal:  PLoS One       Date:  2013-04-02       Impact factor: 3.240

  9 in total

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