Literature DB >> 20058970

Suitable reverberation times for halls for rock and pop music.

Niels Werner Adelman-Larsen1, Eric R Thompson, Anders C Gade.   

Abstract

The existing body of literature regarding the acoustic design of concert halls has focused almost exclusively on classical music, although there are many more performances of popular music, including rock and pop. Objective measurements were made of the acoustics of 20 rock music venues in Denmark and a questionnaire was used in a subjective assessment of those venues with professional rock musicians and sound engineers as expert listeners. Correlations between the measurements show that clarity, including bass frequencies down to 63 Hz, is important for the general impression of the acoustics of the hall. The best-rated halls in the study have reverberation times that are approximately frequency independent from 0.6 to 1.2 s for hall volumes from 1000 to 6000 m(3). The worst rated halls in the study had significantly higher reverberation times in the 63 and 125 Hz bands. Since most audiences at rock concerts are standing, absorption coefficients were measured with a standing audience from 63 Hz to 4 kHz. These measurements showed that a standing audience absorbs about five times as much energy in mid-/high-frequency bands as in low-frequency bands.

Mesh:

Year:  2010        PMID: 20058970     DOI: 10.1121/1.3263611

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


  2 in total

1.  Effects of Varying Reverberation on Music Perception for Young Normal-Hearing and Old Hearing-Impaired Listeners.

Authors:  Paul N Reinhart; Pamela E Souza
Journal:  Trends Hear       Date:  2018 Jan-Dec       Impact factor: 3.293

2.  Assessment of noise level and risk of hearing loss among taiko musicians.

Authors:  Vanessa Yumi Hirata; Gisele Dias Buss; José Fernando Polanski
Journal:  Rev Bras Med Trab       Date:  2021-03-03
  2 in total

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