| Literature DB >> 19575802 |
Abstract
BACKGROUND: Sorghum is one of the main staple crops for the world's poorest and most food insecure people. As Ethiopia is the centre of origin and diversity for sorghum, the crop has been cultivated for thousands of years and hence the heritage of the crop is expected to be rich. Folksong based appraisal of bioecocultural heritage has not been done before.Entities:
Mesh:
Year: 2009 PMID: 19575802 PMCID: PMC2717052 DOI: 10.1186/1746-4269-5-19
Source DB: PubMed Journal: J Ethnobiol Ethnomed ISSN: 1746-4269 Impact factor: 2.733
Figure 11a. Map of the study area. 1b. Women focus group discussion 1c. Men focus group discussion. Note the Khat (Chata edulis Forskk)-a mild drug crop commonly chewed for its stimulating tender leaves and buds 1d. Key informant interview with 80 years old farmer. 1e. Various Gandas in Hirna area, Ethiopia. Note the tikul, group of houses covered with corrugated sheets of iron or grass-sorghum thatching, clustered all over the areas. 1f. An Oromo girl from Babile wereda with traditional dress 1g. Drylowlands of Goloda. Note the camel near the harvested sorghum field with stumps. Sorghum. due its drought resistnace, is sometimes called 'the camel crops of cereals' 1h. Eastern Ethiopia cool highlands topography associated with sorghum. The undulating hills and valleys are partly responsible for genetic differentiation and isolation 1i. Shifting cultivation into the natural forest area in the highlands. Zigita area, West Hararghe, Ethiopia.
Figure 22a. Sorghum . 2b. A young boy feeding an ox with sorghum leaves and thin stalks 2c. Sorghum for fuelwood 2d. Sorghum for thatching of huts 2e. Land preparation using Guzza oxen and labour sharing scheme 2f. Sorghum-Khat alley cropping 2g. Sorghum-groundnut mixed cropping 2h. Sorghum-sweet potato intercropping 2i. Sorghum with undersown wheat 2j. Sorghum-maize mixed cropping 2k. Striga hermonthica in Babile. Note the purplish flower colour. 2l. Striga asiatica in Fedis. Note the reddish flower colour 2m. Farmer thinning sorghum field, Meta wereda, Ethiopia 2n. Application of organic manure on Vertisols Alemaya Wereda, Fendisha farmers association 2o. Regosol: the dominant soils in the intermediate and lowlands 2p. Fluvisol deposited soil, commonly found in the valley bottoms 2q. Moisture stress. No seed setting due to terminal moisture stress at Miesso, 800 m asl.
Figure 33a. Kernel smut (. 3b. Leaf blight and Bacterial stripe 3c. Shootfly damaged plants. Note its effect on the drying up of the central leaf 3d. Harvesting with Guzza labor sharing scheme. Before harvesting is done, the stalk are bundled to reduce lodging and for ease of harvesting 3e. Heaping sorghum on the threshing ground 3f. Heaps of sorghum of the village in common threshing ground 3g. Manual threshing 3h. Winnowing 3i. Piles of sorghum stalks 3j. Stumps removed and transported by woman for fuel use 3k. Sorghum stalk market at Alemaya commonly marketed by women 3l. A woman farmer carrying sorghum panicles for seeds to the house 3m. Pit for storage inside the house 3n. Seed panicles hanged on the roof over the kitchen 3o. A woman farmer showing germplasm storage for long period in a bottle guard. 3p. School boys and girl chewing sweet sorghum stalk
Analysing Oromo folksongs* describing the bioecocultural heritage by music parameters
| Lyrics | More than one issue is addressed | With the exception to some of the folksongs, most of them describe various and more than one issues |
| Vocal style | Less ornamental to ornamental | Sometimes melismatic or strophic forms exist |
| Timber | Soft to less harsh | Occasionally strident and forced singing |
| Performer arrangement | Responsorial-leader chorus alternation is the dominant one | At times chorus-chorus alternation style. Responsorial-leader chorus alternation of male songs is less often followed by acclamation of women group. Few Solo songs exist. |
| Melody | Have a narrow range up to a fifth interval; melodies are patterned in descending and ascending order; 2 or three melodies are used | The melodic form of the folksong is strophic consisting of two to eight lines. The relationships among the lines do vary or are similar. Some of the folksongs have similar or different content. Most of the folk songs are monophonic and some are polyphonic (more than one melodic line). Most of the songs listed here for describing the bioecocultural heritages are sung without accompaniment of instruments and hence are predominantly vocal folksongs. |
| Scale | Major; natural minor; pentatonic major | Most of the folksongs collected here are diatonic or pentatonic or prepentatonic |
| Rhythm | Hard to identify; not a major element; 3/4 or 6/8 | The rhythm and metre are not similar throughout the folksongs described. Mostly they are non-metric as they are mostly vocal. The music has been described as primarily melodic with simple rhythmic accompaniments that can be similar or different. |
| Song type | Both secular and sacred | Folksongs are impulsive creations which are not developed by artists in organized ways hence can have various foci. |
| Q | T | Most of the folksongs are composed without notations. It might be the same composer or different who created both the words and the music. One of the major classes of the folksongs, the ballads are narrative songs for describing varieties which are identified by their texts. The instrumental folksongs commonly accompanied by drums in the region are used for dances. |
* The analysis of Oromo folksongs of eastern Ethiopia, which is done for the first time from the perspectives of bioecocultural heritages, can be used as a starting point for future study. It is imperative to have a full-scale analysis from central, south, west and north parts of Oromia in order to get a holistic picture.