| Literature DB >> 19184669 |
Emilie Genty1, Thomas Breuer, Catherine Hobaiter, Richard W Byrne.
Abstract
Social groups of gorillas were observed in three captive facilities and one African field site. Cases of potential gesture use, totalling 9,540, were filtered by strict criteria for intentionality, giving a corpus of 5,250 instances of intentional gesture use. This indicated a repertoire of 102 gesture types. Most repertoire differences between individuals and sites were explicable as a consequence of environmental affordances and sampling effects: overall gesture frequency was a good predictor of universality of occurrence. Only one gesture was idiosyncratic to a single individual, and was given only to humans. Indications of cultural learning were few, though not absent. Six gestures appeared to be traditions within single social groups, but overall concordance in repertoires was almost as high between as within social groups. No support was found for the ontogenetic ritualization hypothesis as the chief means of acquisition of gestures. Many gestures whose form ruled out such an origin, i.e. gestures derived from species-typical displays, were used as intentionally and almost as flexibly as gestures whose form was consistent with learning by ritualization. When using both classes of gesture, gorillas paid specific attention to the attentional state of their audience. Thus, it would be unwarranted to divide ape gestural repertoires into 'innate, species-typical, inflexible reactions' and 'individually learned, intentional, flexible communication'. We conclude that gorilla gestural communication is based on a species-typical repertoire, like those of most other mammalian species but very much larger. Gorilla gestures are not, however, inflexible signals but are employed for intentional communication to specific individuals.Entities:
Mesh:
Year: 2009 PMID: 19184669 PMCID: PMC2757608 DOI: 10.1007/s10071-009-0213-4
Source DB: PubMed Journal: Anim Cogn ISSN: 1435-9448 Impact factor: 3.084
Fig. 1Age distribution of gorilla gesture. The percentage of the total gorilla repertoire used by each age class. Error bars represent standard deviation across sites
Fig. 2Distribution as a function of usage frequency. The total number of observed instances of a gesture in (intentional) use, plotted according to the number of independent sites at which it was recorded
Gestures restricted to single sites
| Number of instances | Number of individuals | |||||||
|---|---|---|---|---|---|---|---|---|
| Basel | La Vallée | Zurich | Mbeli | Basel | La Vallée | Zurich | Mbeli | |
| Group specific gestures | ||||||||
| One-handed move object | 31 | 4 | ||||||
| Water splash | 3 | 3 | ||||||
| Lick hand | 64 | 3 | ||||||
| Bite + arms shake on | 39 | 4 | ||||||
| Arm swing under with object | 37 | 4 | ||||||
| Arms swing with object | 11 | 3 | ||||||
| Bite wrist + arm shake | 9 | 2 | ||||||
| Idiosyncratic gestures | ||||||||
| Disco arms shake | 8 | 1 | ||||||
Gestures recorded at all sites
| Number of individuals | Number of instancesa | Number of contextsb (max = 7) | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Potentially ritualized gestures | Basel ( | La Vallée ( | Zurich ( | Mbeli (age class) | Tanner and Byrne ( | Pika et al. ( | Basel | La Vallée | Zurich | Mbeli | Basel | La Vallée | Zurich | Mbeli |
| 2-Handed grab | 1 | 4 | 6 | Inf, SubA | 2 [19] | 6 [70] | 43 [173] | 11 [11] | 1 | 1 | 1 | 2 | ||
| 2-Handed grab-pull | 4 | 3 | 6 | SubA | 4 [13] | 3 [4] | 20 [24] | 1 [1] | 1 | 1 | 2 | 1 | ||
| Arm swing | 3 | 5 | 4 | Inf, SubA | 5 [9] | 25 [108] | 7 [63] | 7 [7] | 3 | 2 | 1 | 1 | ||
| Arm swing with object | 1 | 3 | 1 | SubA | 1 [23] | 6 [27] | 1 [2] | 1 [1] | 1 | 1 | 1 | 1 | ||
| Bite | 5 | 6 | 8 | Inf, SubA | 1 | 11 | 28 [28] | 13 [15] | 49 [56] | 5 [5] | 4 | 2 | 3 | 1 |
| Grab-pull | 9 | 6 | 6 | SubA, AdF | 2 | 12 | 73 [73] | 25 [26] | 37 [41] | 6 [6] | 5 | 3 | 4 | 2 |
| Hand on | 9 | 6 | 5 | SubA, AdF | 5 | 7 | 37 [49] | 32 [39] | 15 [18] | 4 [4] | 4 | 4 | 3 | 2 |
| 1-handed grab | 9 | 9 | 8 | Inf, SubA, AdF | 5 | 13 | 119 [126] | 167 [173] | 191 [223] | 33 [33] | 6 | 5 | 5 | 5 |
| Positioning | 2 | 4 | 2 | Inf, AdF | 5 | 9 [10] | 9 [10] | 3 [5] | 4 [4] | 1 | 3 | 2 | 2 | |
| Pounce | 6 | 6 | 6 | SubA, AdM | 20 [33] | 16 [22] | 42 [60] | 3 [3] | 2 | 2 | 2 | 3 | ||
| Punch | 9 | 8 | 8 | Inf, SubA, AdF, AdM | 13 | 69 [74] | 41 [46] | 86 [110] | 21 [21] | 4 | 4 | 2 | 2 | |
| Push, 1-handed | 9 | 8 | 9 | Inf, SubA, AdF | 5 | 30 [33] | 30 [38] | 79 [96] | 12 [12] | 5 | 1 | 4 | 2 | |
| Push, 2-handed | 3 | 5 | 5 | Inf, SubA | 12 | 4 [6] | 8 [10] | 22 [26] | 6 [6] | 1 | 2 | 1 | 1 | |
| Reach | 5 | 5 | 1 | Inf | 2 | 13 | 13 [21] | 7 [10] | 1 [1] | 1 [1] | 4 | 4 | 1 | 1 |
| Slap other | 8 | 5 | 8 | Inf, SubA, AdF | 13 | 109 [114] | 132 [159] | 140 [176] | 45 [45] | 4 | 4 | 3 | 3 | |
| Slap other, 2-handed | 1 | 4 | 6 | SubA | 2 [11] | 13 [19] | 23 [30] | 8 [8] | 1 | 3 | 1 | 1 | ||
| Touch | 10 | 9 | 8 | Inf, SubA, AdF, AdM | 5 | 13 | 175 [187] | 89 [94] | 98 [129] | 11 [11] | 6 | 5 | 5 | 4 |
aNumber of instances of intentional gesture use that were observed, with total single uses in square brackets. (Only age classes are available for Mbeli)
bNumber of contexts in which a gesture was observed
cGestures for which the rarity at some sites can be explained by a cultural preference of use at particular sites
dGesture for which the rarity at some sites can be explained by a preferential use embedded in a sequence
Fig. 3Gestural flexibility. The frequency of gestures is plotted according to the number of contexts in which they are used. Grey bars represent species-typical gestures, black bars potentially ritualized gestures. Error bars represent standard deviation across sites
Fig. 4Context specificity of gestures. The frequency of gestures is plotted for each of the situational contexts in which they are used. Grey bars represent species-typical gestures, black bars potentially ritualized ones. Error bars represent standard deviation across sites
Instrumental functions of gestures
| Function1 | Throw object ** | Hand on ** | One-handed grab ** | Slap other ** | Touch ** | Chest beat * | Drum object ** | Gallop ** | Pirouette ** | Punch object | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Approach invitation | 3 | 0 | 0 | 0 | 1 | 1 | 6 | 0 | 0 | 0 | 11 |
| Attention getter | 3 | 0 | 6 | 8 | 32 | 0 | 4 | 1 | 0 | 2 | 56 |
| Calm down request | 0 | 25 | 11 | 29 | 1 | 0 | 1 | 0 | 0 | 99 | |
| Chase invitation | 0 | 3 | 26 | 7 | 8 | 21 | 5 | 126 | |||
| Contact play invitation | 6 | 7 | 18 | 10 | 11 | ||||||
| Cuddle invitation | 0 | 12 | 8 | 5 | 25 | 1 | 1 | 0 | 0 | 0 | 52 |
| Displace | 3 | 15 | 0 | ||||||||
| Stop | 5 | 13 | 4 | 39 | 13 | 3 | 0 | 0 | 0 | 109 | |
| Stop approach | 2 | 6 | 16 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 29 |
| Travel invitation | 0 | 0 | 12 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 14 |
| Total |
For definitions of functions, see “Variations in gesture function” in Results section. Numbers represent the frequency of instances in which a gesture was used with each function; the criteria for identifying function were based on recipient reactions, so only cases where a clear effect could be discerned were used in this analysis. Bold type is used for the function of a gesture that was most common overall, with italic for the second most common function
The notation *, ** shows deviation from the overall distribution of assigned functions, i.e. from the distribution shown under “Total”, by the level of significance in a goodness of fit χ2 test (respectively: <0.05, <0.01)
Cross-site similarity in meaning
| Gesture type | Number of functions | Total frequency | Major function same in |
|---|---|---|---|
| Throw object | 7 | 59 | La Vallée, Zurich |
| Hand on | 6 | 73 | All three groups |
| One-handed grab | 9 | 246 | All three groups |
| Slap other | 7 | 198 | 2 groups |
| Touch | 10 | 184 | Basel, Zurich |
| Chest beat | 6 | 63 | Basel, La Vallée |
| Drum object | 5 | 63 | La Vallée, Zurich |
| Gallop | 4 | 60 | Basel, Zurich |
| Pirouette | 3 | 64 | All three groups |
| Punch object | 4 | 29 | Different in each |
Fig. 5Sensitivity to audience. The percentage of gestures used as a function of the attentional state of the recipient for each sensory modality (visible, audible and tactile). Separate analyses are performed for potentially ritualized gestures (top) and species-typical gestures (bottom). Black bars represent attending, grey bars represent not attending Error bars represent standard deviation across sites
| Gesture name | Description | Tanner and Byrne ( | Pika et al. ( |
|---|---|---|---|
| Visible only | |||
| 1-handed move object | Grabbing an object with one hand and moving it away or pulling it forcefully | ||
| 2-handed move object | Grabbing an object with both hands and moving it away or pulling it forcefully | Move | |
| Arm raise | Raising one arm above the head | Up | Reach |
| Arm shake | Shaking loosely one arm from shoulder joint | Armshake | Arm shake |
| Arm swing | Swinging arm back and forth on side, either once or repetitively | Down | |
| Arm swing under | Swinging arm back and forth from front of body to between legs | Arm swing under | |
| Arm swing under with object | Swinging arm back and forth from front of body to between legs while holding an object in hand | ||
| Arm swing with object | Swinging arm back and forth on the side, either once or repetitively while holding an object in hand | ||
| Arms raise | Raising both arms above the head | Chuck up | |
| Arms shake | Shaking loosely both arms from shoulder joints | Armshake | Arm shake |
| Arms swing | Swinging arms in front of body from one side to the other | ||
| Arms swing with object | Swinging arms in front of body from one side to the other while holding object(s) in hand(s) | ||
| Arms wave | Waving arms raised above head | ||
| Bipedal run/walk | Running or walking bipedally | ||
| Bipedal stance | Standing upright on two legs | ||
| Bite wrist + arm shake | Biting wrist of one hand while shaking loosely the opposite arm | ||
| Body drum | Drumming own body part with fists | Chest knock | |
| Body tapping | Tapping own body part repetitively with palm of hand | ||
| Body tapping with object | Tapping own body part repetitively with palm of hand and an object placed between hand and body | ||
| Bounce | Standing on four relaxed limbs and performing rapid up and down movements | ||
| Bow | Bending forward upper body according to the body | Bow | |
| Chest beat play | Drumming playfully on chest with palm of hands | ||
| Disco arms shake | Shaking arms in a rotating movement towards self on one side of head | ||
| Feet shake | Shaking feet loosely | ||
| Gallop | Running with forelegs playfully stamping the floor (similar to a child imitating a horse galloping) | Gallop | |
| Hand shake | Shaking hand loosely from wrist joint | Armshake | Arm shake |
| Hand shake with object | Shaking hand loosely from wrist joint while holding an object in hand | ||
| Hands shake | Shaking loosely both hands from wrist joints | Armshake | Arm shake |
| Hands shake with object | Shaking loosely both hands from wrists joints while holding object in hands | ||
| Head nod | Nodding head up and down in the body | Head nod | Bow |
| Head rub | Rubbing head back and forth with palm of hands and/or forearms | ||
| Head shake | Shaking head from side to side on horizontal axis | Head shake | Bow |
| Head shake with object | Shaking head from side to side with object in the mouth | Head twirl | Bow |
| Ice skating | Twirling movement of whole body around the body | Ice skating | |
| Jump | Jumping from one location to another or springing on location | Jump | |
| Leg rub | Rubbing extended legs back and forth with palm of hands while sitting | ||
| Leg swing | Swinging leg back and forth | ||
| Lick hand | Licking palm of hand frantically and repetitively | ||
| Look | Staring intensively at another individual for several seconds | ||
| Multiple stamp | Stamping the ground repetitively with foot, fast motion | ||
| Multiple stamp, 2 feet | Stamping the ground repetitively with both feet alternatively, fast motion | Stamp | |
| Object on head | Putting an object (usually straw or leaves) on head | ||
| Pirouette | Twirling movement of whole body around the body | ||
| Pirouette with object | Twirling forward movement of whole body around the body | ||
| Push object | Pushing away forcefully an object with hand | ||
| Reach | Extending one arm towards another individual | Away | Reach |
| Rocking | Rocking movement of whole body usually while seated | ||
| Rope spinning | Twirling whole body very rapidly around the y body axis, while hanging to a rope with one or two hands and one or two feet | ||
| Shake object | Shaking fixed object forcefully with both hands | Object shake | |
| Side roulade | Twirling side movement of whole body around body | ||
| Single body tap | Slapping body part singly with palm of hand (except chest) | Body slap | |
| Somersault | Twirling forward movement of whole body around the body | Somersault | |
| Stiff gallop | Running with stiff forelegs | ||
| Stiff stance | Standing rigidly with stiff limbs and forelimbs held tight, facial expression of tight lips usually occurs in sexual context | Stiff stance | |
| Stiff walk | Walking with rigid forelegs and usually head tilted on the side | ||
| Stamp | Stamping the ground forcefully with sole of foot, often following or simultaneous to a chest beat | Stamp | |
| Stamp, 2-feet | Stamping the ground forcefully with sole of feet | ||
| Straw wave | Throwing straw over head with both hands | Straw wave | |
| Tapping contralateral | Tapping shoulders or elbows repetitively and simultaneously with palm of hands and crossed arms | Arm cross | |
| Throw object | Throwing away an object towards another individual | Throw | |
| Throw threat | Grabbing an object and performing a forward and forceful movement towards an individual | ||
| Audible and visible | |||
| 1-handed chest beat | Tapping chest repetitively with cupped hand | Chest pat | |
| Body beat | Drumming body part (except chest) with cupped hands or palm of hands | Body beat/beat sides of head | Body beat |
| Body beat with object | Drumming body part (except chest) with cupped hands or palm of hands with an object placed between hands and body part | ||
| Chest beat | Drumming chest with cupped hands | Chest beat | Chest beat |
| Chest beat with object | Drumming chest with cupped hands and an object placed between hands and chest | ||
| Clap | Tapping both palms of hands against each other as human applause | Clap | Clap |
| Drum object (fists) | Drumming an object with fists | ||
| Drum object (palms) | Drumming an object with palm of hands | ||
| Knock object | Hitting an object forcefully and multiply with fist or wrist | Knock | Slap ground |
| Multiple stamp, 2-feet on object | Stamping an object repetitively with both feet alternatively, fast motion | ||
| Punch object | Hitting object forcefully and singly with fist or wrist | Backhand pound | Slap ground |
| Slap object, 1-handed | Slapping forcefully and singly object with palm of hand | Slap surface | Slap ground |
| Slap object, 2-handed | Slapping forcefully and singly object with palm of hands | ||
| Stamp 2-feet, on object | Stamping an object forcefully with sole of feet | ||
| Stamp object | Stamping an object forcefully with sole of foot, often following or simultaneous to a chest beat | Stamp | |
| Tapping object | Tapping an object repetitively with palm of hand | ||
| Water splash | Hitting water with hands or fists | ||
| Tactile | |||
| 2-handed grab | Grabbing another individual’s body part with two closed hands. | ||
| 2-handed grab-pull | Grabbing another individual’s body part with both closed hands and pulling towards self | ||
| Bite | Gentle biting of another individual’s body part, different from aggressive biting | Bite | Formal bite |
| Bite + arms shake on | Biting other individual (usually its head) and shaking arms on the other’s body | ||
| Drum other | Drumming another individual with palms of hands | ||
| Embrace | Embracing another individual by wrapping both arms around its body, usually reciprocal | Embrace | |
| Grab-pull | Grabbing another individual’s body part with one closed hand and pulling towards self | Tactile close | Grab-push-pull |
| Hand on | Touching head of another individual with palm of hand and maintaining touch for several seconds | Tactile close | Hand on |
| Hands on | Touching head of another individual with palm of both hands and maintaining touch for several seconds | ||
| Hit with object | Hitting another individual with object held in hand | ||
| Kick | Kicking another individual with foot | ||
| One-handed grab | Grabbing another individual’s body part with one closed hand | Tactile close | Grab |
| Poke | Touching repetitively other individual’s body part with finger | ||
| Positioning | Pushing or pulling lightly then releasing another individual’s limb in the direction of desired position, usually used in grooming | Tactile close | |
| Pounce | Jumping forward on another individual | ||
| Punch | Hitting another individual forcefully and singly with fist or wrist | Punch | |
| Push, 1-handed | Pushing away another individual with hand or arm | Tactile close | |
| Push, 2-handed | Pushing away forcefully another individual with two hands | Push | |
| Slap other | Slapping forcefully and singly another individual with palm of hand | Slap | |
| Slap other, 2-handed | Slapping forcefully and singly another individual with palm of hands | ||
| Stroking | Stroking another individual with gentle back and forth movement of palm of hand | Tactile close | |
| Tandem walk | Two individuals walk together, one individual over the other one | ||
| Tapping other | Tapping repetitively another individual with palm of hand | Tap other | Prod |
| Touch | Touching gently another individual’s body part with palm of hand | Tactile close | Touch/long touch |