Literature DB >> 18408864

[Study of the hearing of rock and roll musicians].

Juliana Rollo Fernandes Maia1, Ieda Chaves Pacheco Russo.   

Abstract

BACKGROUND: rock and roll has as one of its main characteristics the excessive sound pressure levels. Several studies have demonstrated that the sound levels of rock concerts can range from 100 to 115dB (A), with peak levels of 150dB (A). AIM: to study the hearing of rock and roll musicians, analyzing the results of the audiological evaluation and verifying the influence of time of exposure to amplified music.
METHOD: a questionnaire was answered by 23 rock and roll musicians (46 ears) who were also evaluated by means of pure tone audiometry, immitance audiometry and transient/distortion product evoked otoacoustic emissions (OAET and OAEPD).
RESULTS: regarding the time of exposure to music, values close to the limit of acceptance (tending to be significants) were found in the frequencies of 0.5 and 6kHz, in the pure tone audiometry. A statistically significant difference was also found in the OAET test in the frequency of 2kHz and also in the frequencies of 0.75, 1, 4 and 6kHz in the OAEPD test.
CONCLUSION: the results indicate that although hearing loss was not found in the studied population, alteration in the register of the OAE already exists, suggesting alteration of the cochlear function. Regarding time of exposure, the results indicate that musicians with more than 10 years of practice present statistically significant differences when compared to those with less time of exposure.

Entities:  

Mesh:

Year:  2008        PMID: 18408864     DOI: 10.1590/s0104-56872008000100009

Source DB:  PubMed          Journal:  Pro Fono        ISSN: 0104-5687


  6 in total

1.  Exposure to classroom sound pressure level among dance teachers in Porto Alegre (RS).

Authors:  Cristiane Nehring; Magda Aline Bauer; Adriane Ribeiro Teixeira
Journal:  Int Arch Otorhinolaryngol       Date:  2013-01

2.  No Effect of Interstimulus Interval on Acoustic Reflex Thresholds.

Authors:  Hannah Guest; Kevin J Munro; Samuel Couth; Rebecca E Millman; Garreth Prendergast; Karolina Kluk; Carlyn Murray; Chris Plack
Journal:  Trends Hear       Date:  2019 Jan-Dec       Impact factor: 3.293

3.  Pure-Tone Hearing Thresholds and Otoacoustic Emissions in Students of Music Academies.

Authors:  Małgorzata Pawlaczyk-Łuszczyńska; Małgorzata Zamojska-Daniszewska; Adam Dudarewicz; Kamil Zaborowski
Journal:  Int J Environ Res Public Health       Date:  2021-02-01       Impact factor: 3.390

4.  Hearing loss and tinnitus in rock musicians: A Norwegian survey.

Authors:  Carl Christian Lein Størmer; Einar Laukli; Erik Harry Høydal; Niels Christian Stenklev
Journal:  Noise Health       Date:  2015 Nov-Dec       Impact factor: 0.867

5.  Music students: conventional hearing thresholds and at high frequencies.

Authors:  Débora Lüders; Cláudia Giglio de Oliveira Gonçalves; Adriana Bender de Moreira Lacerda; Ângela Ribas; Juliana de Conto
Journal:  Braz J Otorhinolaryngol       Date:  2014-06-06

6.  Pop-rock musicians: assessment of their satisfaction provided by hearing protectors.

Authors:  Cristiane Bolzachini Santoni; Ana Claudia Fiorini
Journal:  Braz J Otorhinolaryngol       Date:  2010 Jul-Aug
  6 in total

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