Literature DB >> 17695356

EMuJoy: software for continuous measurement of perceived emotions in music.

Frederik Nagel1, Reinhard Kopiez, Oliver Grewe, Eckart Altenmüller.   

Abstract

An adequate study of emotions in music and film should be based on the real-time measurement of self-reported data using a continuous-response method. The recording system discussed in this article reflects two important aspects of such research: First, for a better comparison of results, experimental and technical standards for continuous measurement should be taken into account, and second, the recording system should be open to the inclusion of multimodal stimuli. In light of these two considerations, our article addresses four basic principles of the continuous measurement of emotions: (1) the dimensionality of the emotion space, (2) data acquisition (e.g., the synchronization of media and the self-reported data), (3) interface construction for emotional responses, and (4) the use of multiple stimulus modalities. Researcher-developed software (EMuJoy) is presented as a freeware solution for the continuous measurement of responses to different media, along with empirical data from the self-reports of 38 subjects listening to emotional music and viewing affective pictures.

Mesh:

Year:  2007        PMID: 17695356     DOI: 10.3758/bf03193159

Source DB:  PubMed          Journal:  Behav Res Methods        ISSN: 1554-351X


  23 in total

1.  DARMA: Software for dual axis rating and media annotation.

Authors:  Jeffrey M Girard; Aidan G C Wright
Journal:  Behav Res Methods       Date:  2018-06

2.  Tension-related activity in the orbitofrontal cortex and amygdala: an fMRI study with music.

Authors:  Moritz Lehne; Martin Rohrmeier; Stefan Koelsch
Journal:  Soc Cogn Affect Neurosci       Date:  2013-08-22       Impact factor: 3.436

3.  CARMA: Software for continuous affect rating and media annotation.

Authors:  Jeffrey M Girard
Journal:  J Open Res Softw       Date:  2014-07-03

4.  Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music.

Authors:  Hauke Egermann; Marcus T Pearce; Geraint A Wiggins; Stephen McAdams
Journal:  Cogn Affect Behav Neurosci       Date:  2013-09       Impact factor: 3.526

5.  Time course of EEG oscillations during repeated listening of a well-known aria.

Authors:  Lutz Jäncke; Jürg Kühnis; Lars Rogenmoser; Stefan Elmer
Journal:  Front Hum Neurosci       Date:  2015-07-20       Impact factor: 3.169

Review 6.  Emotion felt by the listener and expressed by the music: literature review and theoretical perspectives.

Authors:  Emery Schubert
Journal:  Front Psychol       Date:  2013-12-17

Review 7.  Naturalistic Stimuli in Affective Neuroimaging: A Review.

Authors:  Heini Saarimäki
Journal:  Front Hum Neurosci       Date:  2021-06-17       Impact factor: 3.169

8.  Sad music induces pleasant emotion.

Authors:  Ai Kawakami; Kiyoshi Furukawa; Kentaro Katahira; Kazuo Okanoya
Journal:  Front Psychol       Date:  2013-06-13

9.  Effects of voice on emotional arousal.

Authors:  Psyche Loui; Justin P Bachorik; H Charles Li; Gottfried Schlaug
Journal:  Front Psychol       Date:  2013-10-01

10.  How we remember the emotional intensity of past musical experiences.

Authors:  Thomas Schäfer; Doreen Zimmermann; Peter Sedlmeier
Journal:  Front Psychol       Date:  2014-08-15
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