Literature DB >> 17455063

Instrument specificity in experienced musicians.

Ulrich C Drost1, Martina Rieger, Wolfgang Prinz.   

Abstract

Previous studies have shown that experienced pianists have acquired integrated action-effect (A-E) associations. In the present study, we were interested in how specific these associations are for the own instrument by investigating pianists and guitarists. A-E associations were examined by testing whether the perception of a "potential" action-effect has an influence on actions. Participants played chords on their instrument in response to visual stimuli, while they were presented task-irrelevant auditory distractors (congruent or incongruent) in varying instrument timbre. In Experiment 1, pianists exhibited an interference effect with timbres of their own instrument category (keyboard instruments: piano and organ). In Experiment 2 guitarists showed an interference effect only with guitar timbre. Thus, integrated A-E associations primarily seem to consist of a specific component on a sensory-motor level involving the own instrument. Additionally, categorical knowledge about how an instrument is played seems to be involved.

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Year:  2007        PMID: 17455063     DOI: 10.1080/17470210601154388

Source DB:  PubMed          Journal:  Q J Exp Psychol (Hove)        ISSN: 1747-0218            Impact factor:   2.143


  8 in total

1.  Implicit chord processing and motor representation in pianists.

Authors:  Pietro Davide Trimarchi; Claudio Luzzatti
Journal:  Psychol Res       Date:  2010-06-17

2.  How and when auditory action effects impair motor performance.

Authors:  Alessandro D'Ausilio; Riccardo Brunetti; Franco Delogu; Cristina Santonico; Marta Olivetti Belardinelli
Journal:  Exp Brain Res       Date:  2009-10-22       Impact factor: 1.972

3.  Listening to music primes space: pianists, but not novices, simulate heard actions.

Authors:  J Eric T Taylor; Jessica K Witt
Journal:  Psychol Res       Date:  2014-02-08

4.  Activation of learned action sequences by auditory feedback.

Authors:  Peter Q Pfordresher; Peter E Keller; Iring Koch; Caroline Palmer; Ece Yildirim
Journal:  Psychon Bull Rev       Date:  2011-06

5.  Action-perception coupling in violinists.

Authors:  Takafumi Kajihara; Rinus G Verdonschot; Joseph Sparks; Lauren Stewart
Journal:  Front Hum Neurosci       Date:  2013-07-30       Impact factor: 3.169

6.  Music-space associations are grounded, embodied and situated: examination of cello experts and non-musicians in a standard tone discrimination task.

Authors:  Martin Lachmair; Ulrike Cress; Tim Fissler; Simone Kurek; Jan Leininger; Hans-Christoph Nuerk
Journal:  Psychol Res       Date:  2017-07-25

7.  Sensorimotor event: an approach to the dynamic, embodied, and embedded nature of sensorimotor cognition.

Authors:  Oscar Vilarroya
Journal:  Front Hum Neurosci       Date:  2014-01-03       Impact factor: 3.169

8.  A conceptual review on action-perception coupling in the musicians' brain: what is it good for?

Authors:  Giacomo Novembre; Peter E Keller
Journal:  Front Hum Neurosci       Date:  2014-08-21       Impact factor: 3.169

  8 in total

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