Literature DB >> 16825563

The geometry of musical chords.

Dmitri Tymoczko1.   

Abstract

A musical chord can be represented as a point in a geometrical space called an orbifold. Line segments represent mappings from the notes of one chord to those of another. Composers in a wide range of styles have exploited the non-Euclidean geometry of these spaces, typically by using short line segments between structurally similar chords. Such line segments exist only when chords are nearly symmetrical under translation, reflection, or permutation. Paradigmatically consonant and dissonant chords possess different near-symmetries and suggest different musical uses.

Mesh:

Year:  2006        PMID: 16825563     DOI: 10.1126/science.1126287

Source DB:  PubMed          Journal:  Science        ISSN: 0036-8075            Impact factor:   47.728


  7 in total

1.  Musical rhythm spectra from Bach to Joplin obey a 1/f power law.

Authors:  Daniel J Levitin; Parag Chordia; Vinod Menon
Journal:  Proc Natl Acad Sci U S A       Date:  2012-02-21       Impact factor: 11.205

Review 2.  Principles of structure building in music, language and animal song.

Authors:  Martin Rohrmeier; Willem Zuidema; Geraint A Wiggins; Constance Scharff
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2015-03-19       Impact factor: 6.237

3.  The Minor fall, the Major lift: inferring emotional valence of musical chords through lyrics.

Authors:  Artemy Kolchinsky; Nakul Dhande; Kengjeun Park; Yong-Yeol Ahn
Journal:  R Soc Open Sci       Date:  2017-11-15       Impact factor: 2.963

4.  Melodies as Maximally Disordered Systems under Macroscopic Constraints with Musical Meaning.

Authors:  Jorge Useche; Rafael Hurtado
Journal:  Entropy (Basel)       Date:  2019-05-25       Impact factor: 2.524

5.  Bach Is the Father of Harmony: Revealed by a 1/f Fluctuation Analysis across Musical Genres.

Authors:  Dan Wu; Keith M Kendrick; Daniel J Levitin; Chaoyi Li; Dezhong Yao
Journal:  PLoS One       Date:  2015-11-06       Impact factor: 3.240

6.  Beauty in artistic expressions through the eyes of networks and physics.

Authors:  Matjaž Perc
Journal:  J R Soc Interface       Date:  2020-03-11       Impact factor: 4.118

7.  The Science of Harmony: A Psychophysical Basis for Perceptual Tensions and Resolutions in Music.

Authors:  Paul Yaozhu Chan; Minghui Dong; Haizhou Li
Journal:  Research (Wash D C)       Date:  2019-09-29
  7 in total

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