Literature DB >> 16597797

The time course of emotional responses to music.

Emmanuel Bigand1, Suzanne Filipic, Philippe Lalitte.   

Abstract

Two empirical studies investigate the time course of emotional responses to music. In the first one, musically trained and untrained listeners were required to listen to 27 musical excerpts and to group those that conveyed a similar emotional meaning. In one condition, the excerpts were 25 seconds long on average. In the other condition, excerpts were as short as 1 second. The groupings were then transformed into a matrix of emotional dissimilarity that was analyzed with multidimensional scaling methods (MDS). We compared the outcome of these analyses for the 25-s and 1-s duration conditions. In the second study, we presented musical excerpts of increasing duration, varying from 250 to 20 seconds. Participants were requested to evaluate on a subjective scale how "moving" each excerpt was. On the basis of the responses given for the longer duration, excerpts were then sorted into two groups: highly moving and weakly (or less) moving. The main purpose of the analysis was to identify the point in time where these two categories of excerpts started to be differentiated by participants. Both studies provide consistent findings that less than 1 s of music is enough to instill elaborated emotional responses in listeners.

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Year:  2005        PMID: 16597797     DOI: 10.1196/annals.1360.036

Source DB:  PubMed          Journal:  Ann N Y Acad Sci        ISSN: 0077-8923            Impact factor:   5.691


  15 in total

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Journal:  Cogn Affect Behav Neurosci       Date:  2015-03       Impact factor: 3.282

2.  Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music.

Authors:  Ian Daly; Duncan Williams; Faustina Hwang; Alexis Kirke; Eduardo R Miranda; Slawomir J Nasuto
Journal:  Sci Rep       Date:  2019-07-01       Impact factor: 4.379

3.  Audiovisual Representations of Valence: a Cross-study Perspective.

Authors:  Svetlana V Shinkareva; Chuanji Gao; Douglas Wedell
Journal:  Affect Sci       Date:  2020-11-25

4.  Categorization of extremely brief auditory stimuli: domain-specific or domain-general processes?

Authors:  Emmanuel Bigand; Charles Delbé; Yannick Gérard; Barbara Tillmann
Journal:  PLoS One       Date:  2011-10-27       Impact factor: 3.240

5.  Music and emotions in the brain: familiarity matters.

Authors:  Carlos Silva Pereira; João Teixeira; Patrícia Figueiredo; João Xavier; São Luís Castro; Elvira Brattico
Journal:  PLoS One       Date:  2011-11-16       Impact factor: 3.240

6.  The neural processing of hierarchical structure in music and speech at different timescales.

Authors:  Morwaread M Farbood; David J Heeger; Gary Marcus; Uri Hasson; Yulia Lerner
Journal:  Front Neurosci       Date:  2015-05-12       Impact factor: 4.677

7.  Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing.

Authors:  Sara Giannantonio; Melissa J Polonenko; Blake C Papsin; Gaetano Paludetti; Karen A Gordon
Journal:  PLoS One       Date:  2015-08-28       Impact factor: 3.240

8.  Emotional perception of music in children with unilateral cochlear implants.

Authors:  Sareh Shirvani; Zahra Jafari; Abdolreza Sheibanizadeh; Masoud Motasaddi Zarandy; Shohre Jalaie
Journal:  Iran J Otorhinolaryngol       Date:  2014-10

9.  Effects of voice on emotional arousal.

Authors:  Psyche Loui; Justin P Bachorik; H Charles Li; Gottfried Schlaug
Journal:  Front Psychol       Date:  2013-10-01

10.  Aesthetic Emotions Across Arts: A Comparison Between Painting and Music.

Authors:  Andrei C Miu; Simina Pițur; Aurora Szentágotai-Tătar
Journal:  Front Psychol       Date:  2016-01-05
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