Literature DB >> 16597765

The mental space of pitch height.

Elena Rusconi1, Bonnie Kwan, Bruno Giordano, Carlo Umiltà, Brian Butterworth.   

Abstract

Through stimulus-response compatibility we tested whether sound frequency (pitch height) elicits a mental spatial representation. Musically untrained and, mostly, trained participants were shown a stimulus-response compatibility effect (Spatial-Musical Association of Response Codes or SMARC effect). When response alternatives were either vertically or horizontally aligned, performance was better when the lower (or leftward) button had to be pressed in response to a low sound and the upper (or rightward) button had to be pressed in response to a high sound, even when pitch height was irrelevant to the task.

Entities:  

Mesh:

Year:  2005        PMID: 16597765     DOI: 10.1196/annals.1360.056

Source DB:  PubMed          Journal:  Ann N Y Acad Sci        ISSN: 0077-8923            Impact factor:   5.691


  9 in total

1.  Crossmodal encoding of motor sequence memories.

Authors:  Marianne A Stephan; Brittany Heckel; Sunbin Song; Leonardo G Cohen
Journal:  Psychol Res       Date:  2014-04-27

2.  Using Spatial Manipulation to Examine Interactions between Visual and Auditory Encoding of Pitch and Time.

Authors:  Neil M McLachlan; Loretta J Greco; Emily C Toner; Sarah J Wilson
Journal:  Front Psychol       Date:  2010-12-27

3.  Numeric aspects in pitch identification: an fMRI study.

Authors:  Michael Schwenzer; Klaus Mathiak
Journal:  BMC Neurosci       Date:  2011-03-09       Impact factor: 3.288

4.  Cerebral activations related to audition-driven performance imagery in professional musicians.

Authors:  Robert Harris; Bauke M de Jong
Journal:  PLoS One       Date:  2014-04-08       Impact factor: 3.240

5.  Resting-state functional connectivity and pitch identification ability in non-musicians.

Authors:  Jiancheng Hou; Chuansheng Chen; Qi Dong
Journal:  Front Neurosci       Date:  2015-02-11       Impact factor: 4.677

6.  The Effects of Meaning and Emotional Content of a Sentence on the Kinematics of a Successive Motor Sequence Mimiking the Feeding of a Conspecific.

Authors:  Elisa De Stefani; Doriana De Marco; Maurizio Gentilucci
Journal:  Front Psychol       Date:  2016-05-09

7.  Melodic Priming of Motor Sequence Performance: The Role of the Dorsal Premotor Cortex.

Authors:  Marianne A Stephan; Rachel Brown; Carlotta Lega; Virginia Penhune
Journal:  Front Neurosci       Date:  2016-05-10       Impact factor: 4.677

8.  Absence of modulatory action on haptic height perception with musical pitch.

Authors:  Michele Geronazzo; Federico Avanzini; Massimo Grassi
Journal:  Front Psychol       Date:  2015-09-11

9.  The effect of handedness on spatial and motor representation of pitch patterns in pianists.

Authors:  Eline Adrianne Smit; Makiko Sadakata
Journal:  PLoS One       Date:  2018-05-02       Impact factor: 3.240

  9 in total

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