Literature DB >> 16514374

Neural control of playing a reversed piano: empirical evidence for an unusual cortical organization of musical functions.

Lutz Jäncke1, Simon Baumann, Susan Koeneke, Martin Meyer, Bruno Laeng, Michael Peters, Kai Lutz.   

Abstract

Using functional magnetic imaging techniques and neuropsychological tests, we studied a young male musician (C.S.) who performs at a professional level both on a regular piano keyboard and on a reverse keyboard (reversed right to left). The participant was left-handed, had left dominance for language but, remarkably, right dominance for the control of piano playing on both keyboards. With respect to music perception, C.S. showed left-sided activation dominance within the left superior temporal sulcus, which is normally associated with higher order auditory processing and right-sided activations in the secondary sensory cortex extending into the supramarginal gyrus. We suggest that C.S.'s pattern of functional asymmetry, characterized by audio-motor control using a right-sided network, could be a factor in his exceptional piano-playing ability on both the standard and reversed keyboard.

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Year:  2006        PMID: 16514374     DOI: 10.1097/01.wnr.0000204978.91253.33

Source DB:  PubMed          Journal:  Neuroreport        ISSN: 0959-4965            Impact factor:   1.837


  5 in total

1.  The plasticity of the superior longitudinal fasciculus as a function of musical expertise: a diffusion tensor imaging study.

Authors:  Mathias S Oechslin; Adrian Imfeld; Thomas Loenneker; Martin Meyer; Lutz Jäncke
Journal:  Front Hum Neurosci       Date:  2010-02-08       Impact factor: 3.169

2.  Music drives brain plasticity.

Authors:  Lutz Jäncke
Journal:  F1000 Biol Rep       Date:  2009-10-14

3.  Early tone categorization in absolute pitch musicians is subserved by the right-sided perisylvian brain.

Authors:  Anja Burkhard; Stefan Elmer; Lutz Jäncke
Journal:  Sci Rep       Date:  2019-02-05       Impact factor: 4.379

4.  The effect of handedness on spatial and motor representation of pitch patterns in pianists.

Authors:  Eline Adrianne Smit; Makiko Sadakata
Journal:  PLoS One       Date:  2018-05-02       Impact factor: 3.240

5.  Mental Effort When Playing, Listening, and Imagining Music in One Pianist's Eyes and Brain.

Authors:  Tor Endestad; Rolf Inge Godøy; Markus Handal Sneve; Thomas Hagen; Agata Bochynska; Bruno Laeng
Journal:  Front Hum Neurosci       Date:  2020-10-15       Impact factor: 3.169

  5 in total

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