Literature DB >> 15993964

From emotion perception to emotion experience: emotions evoked by pictures and classical music.

Thomas Baumgartner1, Michaela Esslen, Lutz Jäncke.   

Abstract

Most previous neurophysiological studies evoked emotions by presenting visual stimuli. Models of the emotion circuits in the brain have for the most part ignored emotions arising from musical stimuli. To our knowledge, this is the first emotion brain study which examined the influence of visual and musical stimuli on brain processing. Highly arousing pictures of the International Affective Picture System and classical musical excerpts were chosen to evoke the three basic emotions of happiness, sadness and fear. The emotional stimuli modalities were presented for 70 s either alone or combined (congruent) in a counterbalanced and random order. Electroencephalogram (EEG) Alpha-Power-Density, which is inversely related to neural electrical activity, in 30 scalp electrodes from 24 right-handed healthy female subjects, was recorded. In addition, heart rate (HR), skin conductance responses (SCR), respiration, temperature and psychometrical ratings were collected. Results showed that the experienced quality of the presented emotions was most accurate in the combined conditions, intermediate in the picture conditions and lowest in the sound conditions. Furthermore, both the psychometrical ratings and the physiological involvement measurements (SCR, HR, Respiration) were significantly increased in the combined and sound conditions compared to the picture conditions. Finally, repeated measures ANOVA revealed the largest Alpha-Power-Density for the sound conditions, intermediate for the picture conditions, and lowest for the combined conditions, indicating the strongest activation in the combined conditions in a distributed emotion and arousal network comprising frontal, temporal, parietal and occipital neural structures. Summing up, these findings demonstrate that music can markedly enhance the emotional experience evoked by affective pictures.

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Mesh:

Year:  2005        PMID: 15993964     DOI: 10.1016/j.ijpsycho.2005.04.007

Source DB:  PubMed          Journal:  Int J Psychophysiol        ISSN: 0167-8760            Impact factor:   2.997


  76 in total

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2.  Pleasurable emotional response to music: a case of neurodegenerative generalized auditory agnosia.

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Authors:  Lutz Jäncke; Pascale Sandmann
Journal:  Behav Brain Funct       Date:  2010-01-07       Impact factor: 3.759

5.  How emotional abilities modulate the influence of early life stress on hippocampal functioning.

Authors:  Sabine Aust; Elif Alkan Härtwig; Stefan Koelsch; Hauke R Heekeren; Isabella Heuser; Malek Bajbouj
Journal:  Soc Cogn Affect Neurosci       Date:  2013-05-17       Impact factor: 3.436

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Authors:  David Radford Bakker; Frances Heritage Martin
Journal:  Cogn Affect Behav Neurosci       Date:  2015-03       Impact factor: 3.282

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Authors:  Chia-Yen Yang; Ching-Po Lin
Journal:  Cogn Neurodyn       Date:  2012-12-21       Impact factor: 5.082

8.  The sound and the fury: Late positive potential is sensitive to sound affect.

Authors:  Darin R Brown; James F Cavanagh
Journal:  Psychophysiology       Date:  2017-07-20       Impact factor: 4.016

9.  Neural correlates of cross-modal affective priming by music in Williams syndrome.

Authors:  Miriam D Lense; Reyna L Gordon; Alexandra P F Key; Elisabeth M Dykens
Journal:  Soc Cogn Affect Neurosci       Date:  2013-02-05       Impact factor: 3.436

10.  The rewarding aspects of music listening are related to degree of emotional arousal.

Authors:  Valorie N Salimpoor; Mitchel Benovoy; Gregory Longo; Jeremy R Cooperstock; Robert J Zatorre
Journal:  PLoS One       Date:  2009-10-16       Impact factor: 3.240

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