Literature DB >> 15511651

Changes in emotional tone and instrumental timbre are reflected by the mismatch negativity.

Katja N Goydke1, Eckart Altenmüller, Jürn Möller, Thomas F Münte.   

Abstract

The present study examined whether or not the brain is capable to preattentively discriminate tones differing in emotional expression or instrumental timbre. In two event-related potential (ERP) experiments single tones (600 ms) were presented which had been rated as happy or sad in a pretest. In experiment 1, 12 non-musicians passively listened to tone series comprising a frequent (standard) single musical tone played by a violin in a certain pitch and with a certain emotional connotation (happy or sad). Among these standard tones deviant tones differing in emotional valence, either in instrumental timbre or in pitch were presented. All deviants generated mismatch negativity (MMN) responses. The MMN scalp topography was similar for all of the three deviants but latency was shorter for pitch deviants than for the other two conditions. The topography of the mismatch responses was indistinguishable. In a second experiment, subjects actively detected the deviant tones by button press. All detected deviants generated P3b waves at parietal leads. These results indicate that the brain is not only able to use simple physical differences such as pitch for rapid preattentive categorization but can also perform similar operations on the basis of more complex differences between tones of the same pitch such as instrumental timbre and the subtle timbral differences associated with different emotional expression. This rapid categorization may serve as a basis for the further fine-grained analysis of musical (and other) sounds with regard to their emotional content.

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Year:  2004        PMID: 15511651     DOI: 10.1016/j.cogbrainres.2004.06.009

Source DB:  PubMed          Journal:  Brain Res Cogn Brain Res        ISSN: 0926-6410


  17 in total

1.  MMN responses during implicit processing of changes in emotional prosody: an ERP study using Chinese pseudo-syllables.

Authors:  Aishi Jiang; Jianfeng Yang; Yufang Yang
Journal:  Cogn Neurodyn       Date:  2014-08-02       Impact factor: 5.082

2.  EEG oscillations reflect task effects for the change detection in vocal emotion.

Authors:  Xuhai Chen; Zhihui Pan; Ping Wang; Lijie Zhang; Jiajin Yuan
Journal:  Cogn Neurodyn       Date:  2014-12-19       Impact factor: 5.082

3.  Brain mechanisms involved in angry prosody change detection in school-age children and adults, revealed by electrophysiology.

Authors:  Judith Charpentier; Klara Kovarski; Sylvie Roux; Emmanuelle Houy-Durand; Agathe Saby; Frédérique Bonnet-Brilhault; Marianne Latinus; Marie Gomot
Journal:  Cogn Affect Behav Neurosci       Date:  2018-08       Impact factor: 3.282

4.  The contribution of sound intensity in vocal emotion perception: behavioral and electrophysiological evidence.

Authors:  Xuhai Chen; Jianfeng Yang; Shuzhen Gan; Yufang Yang
Journal:  PLoS One       Date:  2012-01-23       Impact factor: 3.240

5.  Timbre-independent extraction of pitch in newborn infants.

Authors:  Gábor P Háden; Gábor Stefanics; Martin D Vestergaard; Susan L Denham; István Sziller; István Winkler
Journal:  Psychophysiology       Date:  2008-11-15       Impact factor: 4.016

6.  Neural processing of vocal emotion and identity.

Authors:  Katja N Spreckelmeyer; Marta Kutas; Thomas Urbach; Eckart Altenmüller; Thomas F Münte
Journal:  Brain Cogn       Date:  2008-07-21       Impact factor: 2.310

7.  Native experience with a tone language enhances pitch discrimination and the timing of neural responses to pitch change.

Authors:  Ryan J Giuliano; Peter Q Pfordresher; Emily M Stanley; Shalini Narayana; Nicole Y Y Wicha
Journal:  Front Psychol       Date:  2011-08-03

8.  Preliminary Evidence of Pre-Attentive Distinctions of Frequency-Modulated Tones that Convey Affect.

Authors:  David I Leitman; Pejman Sehatpour; Christina Garidis; Manuel Gomez-Ramirez; Daniel C Javitt
Journal:  Front Hum Neurosci       Date:  2011-10-03       Impact factor: 3.169

9.  It's not what you play, it's how you play it: timbre affects perception of emotion in music.

Authors:  Julia C Hailstone; Rohani Omar; Susie M D Henley; Chris Frost; Michael G Kenward; Jason D Warren
Journal:  Q J Exp Psychol (Hove)       Date:  2009-04-17       Impact factor: 2.143

10.  Preattentive processing of emotional musical tones: a multidimensional scaling and ERP study.

Authors:  Katja N Spreckelmeyer; Eckart Altenmüller; Hans Colonius; Thomas F Münte
Journal:  Front Psychol       Date:  2013-09-23
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