Literature DB >> 15111232

Play it again: did this melody occur more frequently or was it heard more recently? The role of stimulus familiarity in episodic recognition of music.

J Devin McAuley1, Catherine Stevens, Michael S Humphreys.   

Abstract

Episodic recognition of novel and familiar melodies was examined by asking participants to make judgments about the recency and frequency of presentation of melodies over the course of two days of testing. For novel melodies, recency judgments were poor and participants often confused the number of presentations of a melody with its day of presentation; melodies heard frequently were judged as have been heard more recently than they actually were. For familiar melodies, recency judgments were much more accurate and the number of presentations of a melody helped rather than hindered performance. Frequency judgments were generally more accurate than recency judgments and did not demonstrate the same interaction with musical familiarity. Overall, these findings suggest that (1) episodic recognition of novel melodies is based more on a generalized "feeling of familiarity" than on a specific episodic memory, (2) frequency information contributes more strongly to this generalized memory than recency information, and (3) the formation of an episodic memory for a melody depends either on the overall familiarity of the stimulus or the availability of a verbal label.

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Mesh:

Year:  2004        PMID: 15111232     DOI: 10.1016/j.actpsy.2004.02.001

Source DB:  PubMed          Journal:  Acta Psychol (Amst)        ISSN: 0001-6918


  3 in total

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2.  Effects of veridical expectations on syntax processing in music: Event-related potential evidence.

Authors:  Shuang Guo; Stefan Koelsch
Journal:  Sci Rep       Date:  2016-01-19       Impact factor: 4.379

3.  Memory for melody and key in childhood.

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Journal:  PLoS One       Date:  2017-10-27       Impact factor: 3.240

  3 in total

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