Literature DB >> 15069559

Action-effect coupling in pianists.

Ulrich C Drost1, Martina Rieger, Marcel Brass, Thomas C Gunter, Wolfgang Prinz.   

Abstract

Recent theories have stressed the role of effect anticipation in action control. Such a mechanism requires the prior acquisition of integrated action-effect associations. The strength of such associations should directly depend on the amount of learning, and therefore be most pronounced in motor experts. Using an interference paradigm, we investigated whether evidence of such representations can be demonstrated in expert pianists. Participants were required to play chords on a keyboard in response to imperative visual stimuli. Concurrently, task-irrelevant auditory stimuli ("potential" action effects) were presented that were congruent or incongruent with the chords to be played. In Experiment 1 we found evidence that expert pianists, compared with non-musicians, have acquired such action-effects representations. Response times were slower when the auditory stimulus was incongruent with the required response. In order to ascertain the locus of interference, we varied imperative stimuli and responses in Experiments 2 and 3. The results indicate that, for the most part, interference occurs on the response level rather than on an abstract level. However, the perception of action effects also evokes processing of abstract features, like the concept of major-minor mode.

Entities:  

Mesh:

Year:  2004        PMID: 15069559     DOI: 10.1007/s00426-004-0175-8

Source DB:  PubMed          Journal:  Psychol Res        ISSN: 0340-0727


  16 in total

1.  Conceptual and motor learning in music performance.

Authors:  C Palmer; R K Meyer
Journal:  Psychol Sci       Date:  2000-01

2.  Individual differences in music performance.

Authors: 
Journal:  Trends Cogn Sci       Date:  2000-10-01       Impact factor: 20.229

3.  Involuntary motor activity in pianists evoked by music perception.

Authors:  J Haueisen; T R Knösche
Journal:  J Cogn Neurosci       Date:  2001-08-15       Impact factor: 3.225

4.  Verbal response-effect compatibility.

Authors:  Iring Koch; Wilfried Kunde
Journal:  Mem Cognit       Date:  2002-12

5.  An fMRI study of music sight-reading.

Authors:  Daniele Schön; Jean Luc Anton; Muriel Roth; Mireille Besson
Journal:  Neuroreport       Date:  2002-12-03       Impact factor: 1.837

6.  Practicing perfection: piano performance as expert memory.

Authors:  Roger Chaffin; Gabriela Imreh
Journal:  Psychol Sci       Date:  2002-07

7.  Stimulus-response compatibility with relevant and irrelevant stimulus dimensions that do and do not overlap with the response.

Authors:  S Kornblum; J W Lee
Journal:  J Exp Psychol Hum Percept Perform       Date:  1995-08       Impact factor: 3.332

8.  Lateralization for reading musical chords: disentangling symbolic, analytic, and phonological aspects of reading.

Authors:  S J Segalowitz; L J Bebout; S J Lederman
Journal:  Brain Lang       Date:  1979-11       Impact factor: 2.381

9.  Effect anticipation and action control.

Authors:  B Elsner; B Hommel
Journal:  J Exp Psychol Hum Percept Perform       Date:  2001-02       Impact factor: 3.332

10.  Mapping perception to action in piano practice: a longitudinal DC-EEG study.

Authors:  Marc Bangert; Eckart O Altenmüller
Journal:  BMC Neurosci       Date:  2003-10-15       Impact factor: 3.288

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  18 in total

1.  Neuroarchitecture of verbal and tonal working memory in nonmusicians and musicians.

Authors:  Katrin Schulze; Stefan Zysset; Karsten Mueller; Angela D Friederici; Stefan Koelsch
Journal:  Hum Brain Mapp       Date:  2011-05       Impact factor: 5.038

2.  Implicit chord processing and motor representation in pianists.

Authors:  Pietro Davide Trimarchi; Claudio Luzzatti
Journal:  Psychol Res       Date:  2010-06-17

3.  Sensorimotor integration is enhanced in dancers and musicians.

Authors:  Falisha J Karpati; Chiara Giacosa; Nicholas E V Foster; Virginia B Penhune; Krista L Hyde
Journal:  Exp Brain Res       Date:  2015-12-15       Impact factor: 1.972

4.  How and when auditory action effects impair motor performance.

Authors:  Alessandro D'Ausilio; Riccardo Brunetti; Franco Delogu; Cristina Santonico; Marta Olivetti Belardinelli
Journal:  Exp Brain Res       Date:  2009-10-22       Impact factor: 1.972

5.  Role of auditory feedback in the control of successive keystrokes during piano playing.

Authors:  Shinichi Furuya; John F Soechting
Journal:  Exp Brain Res       Date:  2010-06-03       Impact factor: 1.972

6.  Listening to music primes space: pianists, but not novices, simulate heard actions.

Authors:  J Eric T Taylor; Jessica K Witt
Journal:  Psychol Res       Date:  2014-02-08

7.  Mu rhythm suppression demonstrates action representation in pianists during passive listening of piano melodies.

Authors:  C Carolyn Wu; Jeff P Hamm; Vanessa K Lim; Ian J Kirk
Journal:  Exp Brain Res       Date:  2016-03-18       Impact factor: 1.972

8.  Toward a neural basis of music perception - a review and updated model.

Authors:  Stefan Koelsch
Journal:  Front Psychol       Date:  2011-06-09

Review 9.  Prospective coding in event representation.

Authors:  Simone Schütz-Bosbach; Wolfgang Prinz
Journal:  Cogn Process       Date:  2007-04-04

Review 10.  No anticipation-no action: the role of anticipation in action and perception.

Authors:  Wilfried Kunde; Katrin Elsner; Andrea Kiesel
Journal:  Cogn Process       Date:  2007-03-06
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