Literature DB >> 14990252

The neurology of ambiguity.

Semir Zeki1.   

Abstract

One of the primordial functions of the brain is the acquisition of knowledge. The apparatus that it has evolved to do so is flexible enough to allow it to acquire knowledge about unambiguous conditions on the one hand (colour vision being a good example), and about situations that are capable of two or more interpretations, each one of which has equal validity with the others. However, in the latter instance, we can only be conscious of one interpretation at any given moment. The study of ambiguity thus gives us some insights into how activity at different stations of the brain can result in a micro-consciousness for an attribute, and also tell us something about interactions between different cerebral areas that result in several potential micro-conscious correlates, though only one predominates at any given time. Finally, the study of ambiguity also gives us insights into the neurological machinery that artists have tapped to create the ambiguity that is commonly a hallmark of great works of art.

Mesh:

Year:  2004        PMID: 14990252     DOI: 10.1016/j.concog.2003.10.003

Source DB:  PubMed          Journal:  Conscious Cogn        ISSN: 1053-8100


  22 in total

1.  Cortical sources of visual evoked potentials during consciousness of executive processes.

Authors:  Claudio Babiloni; Fabrizio Vecchio; Marco Iacoboni; Paola Buffo; Fabrizio Eusebi; Paolo Maria Rossini
Journal:  Hum Brain Mapp       Date:  2009-03       Impact factor: 5.038

2.  Cortical responses to consciousness of schematic emotional facial expressions: a high-resolution EEG study.

Authors:  Claudio Babiloni; Fabrizio Vecchio; Paola Buffo; Maura Buttiglione; Giuseppe Cibelli; Paolo Maria Rossini
Journal:  Hum Brain Mapp       Date:  2010-10       Impact factor: 5.038

3.  Towards an integrative theory of consciousness: part 2 (an anthology of various other models).

Authors:  Avinash De Sousa
Journal:  Mens Sana Monogr       Date:  2013-01

4.  Multistability in perception: binding sensory modalities, an overview.

Authors:  Jean-Luc Schwartz; Nicolas Grimault; Jean-Michel Hupé; Brian C J Moore; Daniel Pressnitzer
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2012-04-05       Impact factor: 6.237

5.  Putting reward in art: A tentative prediction error account of visual art.

Authors:  Sander Van de Cruys; Johan Wagemans
Journal:  Iperception       Date:  2011-12-15

6.  Auditory scene analysis: the sweet music of ambiguity.

Authors:  Daniel Pressnitzer; Clara Suied; Shihab A Shamma
Journal:  Front Hum Neurosci       Date:  2011-12-14       Impact factor: 3.169

7.  The role of the visual arts in the enhancing the learning process.

Authors:  Christopher W Tyler; Lora T Likova
Journal:  Front Hum Neurosci       Date:  2012-02-08       Impact factor: 3.169

8.  The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the Continuous Evaluation Procedure (CEP).

Authors:  Claudia Muth; Marius H Raab; Claus-Christian Carbon
Journal:  Front Psychol       Date:  2015-03-31

9.  Artworks as dichotomous objects: implications for the scientific study of aesthetic experience.

Authors:  Robert Pepperell
Journal:  Front Hum Neurosci       Date:  2015-06-09       Impact factor: 3.169

10.  In praise of subjective truths.

Authors:  Semir Zeki
Journal:  J Physiol       Date:  2009-06-15       Impact factor: 5.182

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