Literature DB >> 12830161

Absolute pitch: a model for understanding the influence of genes and development on neural and cognitive function.

Robert J Zatorre1.   

Abstract

Absolute pitch (AP), the ability to identify or produce the pitch of a sound without any reference point, is discussed here as a possible model system for understanding the neurobiology of complex cognitive functions. AP is of interest because it may reflect an atypical organization of sensory representations. Indications are that it depends on both genetic factors and exposure to musical training during childhood, supporting the idea of a sensitive period. Functional and structural neuroimaging studies suggest special roles for working memory and associative memory mechanisms in AP, and results from these studies indicate that there may be structural markers of AP in asymmetries of cortical areas. AP seems to depend on the nervous system's response to experiential, maturational and genetic factors, making it a good candidate model for understanding how these interactions play out in cognitive development generally.

Mesh:

Year:  2003        PMID: 12830161     DOI: 10.1038/nn1085

Source DB:  PubMed          Journal:  Nat Neurosci        ISSN: 1097-6256            Impact factor:   24.884


  50 in total

1.  Rhythm synchronization performance and auditory working memory in early- and late-trained musicians.

Authors:  Jennifer A Bailey; Virginia B Penhune
Journal:  Exp Brain Res       Date:  2010-05-28       Impact factor: 1.972

2.  Ethnicity effects in relative pitch.

Authors:  Michael J Hove; Mary Elizabeth Sutherland; Carol L Krumhansl
Journal:  Psychon Bull Rev       Date:  2010-06

3.  Conditional associative memory for musical stimuli in nonmusicians: implications for absolute pitch.

Authors:  Patrick Bermudez; Robert J Zatorre
Journal:  J Neurosci       Date:  2005-08-24       Impact factor: 6.167

4.  The effect of early musical training on adult motor performance: evidence for a sensitive period in motor learning.

Authors:  Donald Watanabe; Tal Savion-Lemieux; Virginia B Penhune
Journal:  Exp Brain Res       Date:  2007-01       Impact factor: 1.972

5.  Cross-cultural music phrase processing: an fMRI study.

Authors:  Yun Nan; Thomas R Knösche; Stefan Zysset; Angela D Friederici
Journal:  Hum Brain Mapp       Date:  2008-03       Impact factor: 5.038

6.  Dichotomy and perceptual distortions in absolute pitch ability.

Authors:  E Alexandra Athos; Barbara Levinson; Amy Kistler; Jason Zemansky; Alan Bostrom; Nelson Freimer; Jane Gitschier
Journal:  Proc Natl Acad Sci U S A       Date:  2007-08-27       Impact factor: 11.205

Review 7.  Music perception, pitch, and the auditory system.

Authors:  Josh H McDermott; Andrew J Oxenham
Journal:  Curr Opin Neurobiol       Date:  2008-10-02       Impact factor: 6.627

8.  Vowel identity between note labels confuses pitch identification in non-absolute pitch possessors.

Authors:  Alfredo Brancucci; Rosanna Dipinto; Ilaria Mosesso; Luca Tommasi
Journal:  PLoS One       Date:  2009-07-21       Impact factor: 3.240

9.  The neurocognitive components of pitch processing: insights from absolute pitch.

Authors:  Sarah J Wilson; Dean Lusher; Catherine Y Wan; Paul Dudgeon; David C Reutens
Journal:  Cereb Cortex       Date:  2008-07-28       Impact factor: 5.357

Review 10.  The absolute pitch mind continues to reveal itself.

Authors:  Patrick Bermudez; Robert J Zatorre
Journal:  J Biol       Date:  2009-08-27
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