Literature DB >> 12597203

The effect of superior auditory skills on vocal accuracy.

Ofer Amir1, Noam Amir, Liat Kishon-Rabin.   

Abstract

The relationship between auditory perception and vocal production has been typically investigated by evaluating the effect of either altered or degraded auditory feedback on speech production in either normal hearing or hearing-impaired individuals. Our goal in the present study was to examine this relationship in individuals with superior auditory abilities. Thirteen professional musicians and thirteen nonmusicians, with no vocal or singing training, participated in this study. For vocal production accuracy, subjects were presented with three tones. They were asked to reproduce the pitch using the vowel /a/. This procedure was repeated three times. The fundamental frequency of each production was measured using an autocorrelation pitch detection algorithm designed for this study. The musicians' superior auditory abilities (compared to the nonmusicians) were established in a frequency discrimination task reported elsewhere. Results indicate that (a) musicians had better vocal production accuracy than nonmusicians (production errors of 1/2 a semitone compared to 1.3 semitones, respectively); (b) frequency discrimination thresholds explain 43% of the variance of the production data, and (c) all subjects with superior frequency discrimination thresholds showed accurate vocal production; the reverse relationship, however, does not hold true. In this study we provide empirical evidence to the importance of auditory feedback on vocal production in listeners with superior auditory skills.

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Mesh:

Year:  2003        PMID: 12597203     DOI: 10.1121/1.1536632

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


  12 in total

1.  ERP correlates of auditory processing during automatic correction of unexpected perturbations in voice auditory feedback.

Authors:  Oleg Korzyukov; Laura Karvelis; Roozbeh Behroozmand; Charles R Larson
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2.  Revisiting the "enigma" of musicians with dyslexia: Auditory sequencing and speech abilities.

Authors:  Jennifer Zuk; Paula Bishop-Liebler; Ola Ozernov-Palchik; Emma Moore; Katie Overy; Graham Welch; Nadine Gaab
Journal:  J Exp Psychol Gen       Date:  2017-04

3.  Speech-specific perceptual adaptation deficits in children and adults with dyslexia.

Authors:  Ola Ozernov-Palchik; Sara D Beach; Meredith Brown; Tracy M Centanni; Nadine Gaab; Gina Kuperberg; Tyler K Perrachione; John D E Gabrieli
Journal:  J Exp Psychol Gen       Date:  2021-11-29

4.  Acquired and congenital disorders of sung performance: A review.

Authors:  Magdalena Berkowska; Simone Dalla Bella
Journal:  Adv Cogn Psychol       Date:  2009-11-12

5.  Vocal accuracy and neural plasticity following micromelody-discrimination training.

Authors:  Jean Mary Zarate; Karine Delhommeau; Sean Wood; Robert J Zatorre
Journal:  PLoS One       Date:  2010-06-17       Impact factor: 3.240

6.  Disorders of pitch production in tone deafness.

Authors:  Simone Dalla Bella; Magdalena Berkowska; Jakub Sowiński
Journal:  Front Psychol       Date:  2011-07-14

7.  The influence of vocal training and acting experience on measures of voice quality and emotional genuineness.

Authors:  Steven R Livingstone; Deanna H Choi; Frank A Russo
Journal:  Front Psychol       Date:  2014-03-07

8.  The Linked Dual Representation model of vocal perception and production.

Authors:  Sean Hutchins; Sylvain Moreno
Journal:  Front Psychol       Date:  2013-11-05

9.  The neural control of singing.

Authors:  Jean Mary Zarate
Journal:  Front Hum Neurosci       Date:  2013-06-03       Impact factor: 3.169

10.  Perceptual pitch deficits coexist with pitch production difficulties in music but not Mandarin speech.

Authors:  Wu-Xia Yang; Jie Feng; Wan-Ting Huang; Cheng-Xiang Zhang; Yun Nan
Journal:  Front Psychol       Date:  2014-01-16
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