Literature DB >> 11319564

Musical syntax is processed in Broca's area: an MEG study.

B Maess1, S Koelsch, T C Gunter, A D Friederici.   

Abstract

The present experiment was designed to localize the neural substrates that process music-syntactic incongruities, using magnetoencephalography (MEG). Electrically, such processing has been proposed to be indicated by early right-anterior negativity (ERAN), which is elicited by harmonically inappropriate chords occurring within a major-minor tonal context. In the present experiment, such chords elicited an early effect, taken as the magnetic equivalent of the ERAN (termed mERAN). The source of mERAN activity was localized in Broca's area and its right-hemisphere homologue, areas involved in syntactic analysis during auditory language comprehension. We find that these areas are also responsible for an analysis of incoming harmonic sequences, indicating that these regions process syntactic information that is less language-specific than previously believed.

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Mesh:

Year:  2001        PMID: 11319564     DOI: 10.1038/87502

Source DB:  PubMed          Journal:  Nat Neurosci        ISSN: 1097-6256            Impact factor:   24.884


  162 in total

1.  Listening to polyphonic music recruits domain-general attention and working memory circuits.

Authors:  Petr Janata; Barbara Tillmann; Jamshed J Bharucha
Journal:  Cogn Affect Behav Neurosci       Date:  2002-06       Impact factor: 3.282

Review 2.  Neuroimaging studies of language production and comprehension.

Authors:  Morton Ann Gernsbacher; Michael P Kaschak
Journal:  Annu Rev Psychol       Date:  2002-06-10       Impact factor: 24.137

3.  Differential roles of right temporal cortex and Broca's area in pitch processing: evidence from music and Mandarin.

Authors:  Yun Nan; Angela D Friederici
Journal:  Hum Brain Mapp       Date:  2012-03-19       Impact factor: 5.038

Review 4.  A rostro-caudal gradient of structured sequence processing in the left inferior frontal gyrus.

Authors:  Julia Uddén; Jörg Bahlmann
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2012-07-19       Impact factor: 6.237

5.  Decoding temporal structure in music and speech relies on shared brain resources but elicits different fine-scale spatial patterns.

Authors:  Daniel A Abrams; Anjali Bhatara; Srikanth Ryali; Evan Balaban; Daniel J Levitin; Vinod Menon
Journal:  Cereb Cortex       Date:  2010-11-11       Impact factor: 5.357

6.  Musicians and tone-language speakers share enhanced brainstem encoding but not perceptual benefits for musical pitch.

Authors:  Gavin M Bidelman; Jackson T Gandour; Ananthanarayan Krishnan
Journal:  Brain Cogn       Date:  2011-08-10       Impact factor: 2.310

7.  Musical expertise is related to altered functional connectivity during audiovisual integration.

Authors:  Evangelos Paraskevopoulos; Anja Kraneburg; Sibylle Cornelia Herholz; Panagiotis D Bamidis; Christo Pantev
Journal:  Proc Natl Acad Sci U S A       Date:  2015-09-14       Impact factor: 11.205

8.  The "silent" imprint of musical training.

Authors:  Carina Klein; Franziskus Liem; Jürgen Hänggi; Stefan Elmer; Lutz Jäncke
Journal:  Hum Brain Mapp       Date:  2015-11-05       Impact factor: 5.038

9.  Making psycholinguistics musical: self-paced reading time evidence for shared processing of linguistic and musical syntax.

Authors:  L Robert Slevc; Jason C Rosenberg; Aniruddh D Patel
Journal:  Psychon Bull Rev       Date:  2009-04

10.  A generalized mechanism for perception of pitch patterns.

Authors:  Psyche Loui; Elaine H Wu; David L Wessel; Robert T Knight
Journal:  J Neurosci       Date:  2009-01-14       Impact factor: 6.167

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