Literature DB >> 11089733

Mad scenes in early 19th-century opera.

A Erfurth1, P Hoff.   

Abstract

OBJECTIVE: It is our objective to examine the phenomenon of mad scenes in bel canto opera from a modern perspective.
METHOD: The development of psychiatry and music at the beginning of the 19th century is described. Common elements of romantic music and mental disorders are discussed. It is shown how bel canto composers represent psychiatric illness by musical means. The psychopathology depicted in a prototypical mad scene is evaluated.
RESULTS: Early romantic music is characterized by imagination, illusion and loss of structure; characteristics which can be well expressed in mad scenes. While madness (withdrawal into a utopian world) gained a certain attraction in society, clinical psychiatry increasingly focused on emotional causes of illness and on drug-induction of mental disorders.
CONCLUSION: Mad scenes in bel canto opera can be understood as expression of an increasing interest in emotional aspects in music and society as well as in clinical psychiatry.

Entities:  

Mesh:

Year:  2000        PMID: 11089733     DOI: 10.1034/j.1600-0447.2000.102004310.x

Source DB:  PubMed          Journal:  Acta Psychiatr Scand        ISSN: 0001-690X            Impact factor:   6.392


  1 in total

1.  Ludwig van Beethoven-a psychiatric perspective.

Authors:  Andreas Erfurth
Journal:  Wien Med Wochenschr       Date:  2021-08-02
  1 in total

北京卡尤迪生物科技股份有限公司 © 2022-2023.