Literature DB >> 11089410

Implicit learning of tonality: a self-organizing approach.

B Tillmann1, J J Bharucha, E Bigand.   

Abstract

Tonal music is a highly structured system that is ubiquitous in our cultural environment. We demonstrate the acquisition of implicit knowledge of tonal structure through neural self-organization resulting from mere exposure to simultaneous and sequential combinations of tones. In the process of learning, a network with fundamental neural constraints comes to internalize the essential correlational structure of tonal music. After learning, the network was run through a range of experiments from the literature. The model provides a parsimonious account of a variety of empirical findings dealing with the processing of tone, chord, and key relationships, including relatedness judgments, memory judgments, and expectancies. It also illustrates the plausibility of activation being a unifying mechanism underlying a range of cognitive tasks.

Mesh:

Year:  2000        PMID: 11089410     DOI: 10.1037/0033-295x.107.4.885

Source DB:  PubMed          Journal:  Psychol Rev        ISSN: 0033-295X            Impact factor:   8.934


  51 in total

1.  Influence of tonal and temporal expectations on chord processing and on completion judgments of chord sequences.

Authors:  Barbara Tillmann; Géraldine Lebrun-Guillaud
Journal:  Psychol Res       Date:  2005-09-22

2.  Context effects on musical chord categorization: Different forms of top-down feedback in speech and music?

Authors:  Bob McMurray; Joel L Dennhardt; Andrew Struck-Marcell
Journal:  Cogn Sci       Date:  2008-07

3.  Domain-specific learning of grammatical structure in musical and phonological sequences.

Authors:  Benjamin Martin Bly; Ricardo E Carrión; Björn Rasch
Journal:  Mem Cognit       Date:  2009-01

4.  Decrease in early right alpha band phase synchronization and late gamma band oscillations in processing syntax in music.

Authors:  María Herrojo Ruiz; Stefan Koelsch; Joydeep Bhattacharya
Journal:  Hum Brain Mapp       Date:  2009-04       Impact factor: 5.038

5.  Familiarity and preference for pitch probability profiles.

Authors:  Anja-Xiaoxing Cui; Meghan J Collett; Niko F Troje; Lola L Cuddy
Journal:  Cogn Process       Date:  2015-04-03

6.  Learning of timing patterns and the development of temporal expectations.

Authors:  Barbara Tillmann; Catherine Stevens; Peter E Keller
Journal:  Psychol Res       Date:  2010-08-04

7.  The Rapid Emergence of Musical Pitch Structure in Human Cortex.

Authors:  Narayan Sankaran; Thomas A Carlson; William Forde Thompson
Journal:  J Neurosci       Date:  2020-01-30       Impact factor: 6.167

8.  The amusic brain: lost in music, but not in space.

Authors:  Barbara Tillmann; Pierre Jolicoeur; Masami Ishihara; Nathalie Gosselin; Olivier Bertrand; Yves Rossetti; Isabelle Peretz
Journal:  PLoS One       Date:  2010-04-21       Impact factor: 3.240

9.  Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2: Ancient to Seventeenth Century.

Authors:  Aleksey Nikolsky
Journal:  Front Psychol       Date:  2016-03-30

10.  Cerebellar patients demonstrate preserved implicit knowledge of association strengths in musical sequences.

Authors:  Barbara Tillmann; Timothy Justus; Emmanuel Bigand
Journal:  Brain Cogn       Date:  2007-09-18       Impact factor: 2.310

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